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Otta Benga, Formerly Enslaved
The Epitome of a Nubian Knight

Otta Benga, Formerly Enslaved<br>The Epitome of a Nubian Knight

Followers of Nubian Knights Network
"Thanks For The Support Everybody!!!"

QUOTATIONS OF "BLACK"

"Whenever I use BLACK it relates to some history of Africans in that particular place. It’s the idea of the color BLACK as a metaphor, or as a representation of African-Americans. It’s the notion of BLACK- BLACKNESS - and all its other meanings in relation to the history of race..."

- Fred Wilson



"Most of my fortitude to continue doing the work comes from the moral outrage I feel about the injustices that Black people endure disproportionately daily."

- N. Abdul-Wakil



"In the end, what matters is not skin shade but pan-African consciousness. Loving your complexion, your nose, lips, hair length and texture, no matter what the politics or trends decide, and simply be. That's the problem with us (African folks). We're still learning how to love ourselves. So used to glorifying others and putting others first..."

- Dredlocks Tree

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)
Click The Pic To Access The Film Library Database! (166 Films)
LAST UPDATE: Monday, December 3rd, 2012
Showing posts with label Actors. Show all posts
Showing posts with label Actors. Show all posts

Wednesday, December 29, 2010

Theater Play: THE MEETING
A Secret Meeting Between
Malcolm X & Dr. Martin Luther King, Jr.
Kumble Theater (Bklyn)
Thur, Jan. 13th, 2011


The Circle of Brothers Fundraising Committee
INVITES YOU TO ATTEND
at Kumble Theater



Click To Enlarge
Tickets: KumbleTheater.org


















THE MEETING


A Shades of Truth Theatre and Kumble Theatre Presentation

Thursday, January 13th, 2011
@ 7:30 PM


SPECIAL DISCOUNT FOR YOU AS A CIRCLE OF BROTHERS GUEST

ONLY $20.00 WITH PROMOTION CODE – “COB11”

Written by Jeff Stetson
Directed by Eric Coleman
with
Lawrence Winslow as Malcolm X,
Michael Green as Martin Luther King, Jr.
and
Ron Wilks as Rashad





Synopsis:

THE MEETING is an engaging and intelligent play that depicts a fictional account of a secret meeting between Malcolm X and Dr. Martin Luther King, Jr. Following the bombing of Malcolm X’s home and shortly before he was assassinated, Malcolm and Martin meet in a room inside the historic Theresa Hotel. This riveting play deals with issues that are still relevant today, such as war, poverty, racism and the need for Black self-empowerment. They were two men with different ideologies, but a common understanding of the plight of Black America.



THE MEETING by Jeff Stetson
Directed by Eric Coleman
Starring
Michael Green as Dr. Martin Luther King Jr
Lawrence Winslow as Malcolm X

and Ron Wilks as Rashad



Kumble Theater for the Performing Arts
Long Island University @ One University Plaza, Brooklyn, NY 11201
(Flatbush Ave between DeKalb Ave & Willoughby St)

Box office (718) 488-1624
Open 1pm – 6pm Monday through Friday & Weekends of shows.
Purchase tickets online @ www.kumbletheater.org
Use Promotion Code - "COB11"


For more info contact Michael Green @ 212-690-0797/646-488-9576

Email: shadesoftruththeatre[at]gmail.com
Website: www.shadesoftruththeatre.com

Friday, September 10, 2010

Theater Play: THROUGH THE NIGHT
Written & Perfomed By
Obie Award Winner Daniel Beaty
Beginning Sept. 10th, 2010
Union Sq. Theatre (NYC)


THROUGH THE NIGHT OFF BROADWAY
at the UNION SQUARE THEATER


Six characters. Three generations.
One extraordinary performance.


Obie Award Winner Daniel Beaty shines as writer and performer of a range of characters from hopeful, wide-eyed child to admired, elder preacher, spinning a tale where lives collide to show how hope, faith and love have the ability to pull anyone Through the Night.

Supported by some of the country's most revered performers and respected educators, including Bill Cosby, Ruby Dee, and Henry Louis Gates Jr., Through the Night is "a thing of beauty, wit, grit and piercing lyricism" [The New York Times].



To View Excerpts From THROUGH THE NIGHT:


THREE WAYS TO GET TICKETS:


1. ONLINE. Visit Ticketmaster.com by clicking here, select the performance date you wish to attend and enter code DBLAST in the “Promotions and Special Offers” area.

2. Call Ticketmaster at 1-800-982-2787 and mention code DBLAST.

3. IN PERSON. Bring a print-out of this offer to the Union Square Theatre Box Office (100 East 17th Street, NYC).


PREVIEW PERFORMANCE SCHEDULE:
Friday, September 10 at 8 pm
Saturday, September 11 at 3 pm & 8 pm
Sunday, September 12 at 7 pm
Thursday, September 16 at 8 pm
Friday, September 17 at 8 pm
Saturday, September 18 at 3 pm & 8 pm
Sunday, September 19 at 3 pm & 7 pm
Wednesday, September 22 at 8 pm
Thursday, September 23 at 8 pm
Friday, September 24 at 8 pm
Saturday, September 25 at 3 pm & 8 pm
Sunday, September 26 at 7 pm


REGULAR PERFORMANCE SCHEDULE:
Beginning September 29, 2010
Wednesday - Friday at 8 pm
Saturday at 3 pm & 8 pm
Sunday at 3 pm & 7 pm

FOR GROUPS, please call 646-624-6678.

*Offer expires 10/10/2010. Blackout dates may apply. Schedule and cast subject to change. Offer subject to availability. Normal service charges apply to online and phone orders. No exchanges or refunds. All sales are final. Cannot be combined with other offers. Not valid for prior purchases. Limit of 8 tickets per order. Offer may be revoked at any time.





Daniel Beaty Performs The Powerful "Knock Knock"



Daniel Beaty On Facebook

Sunday, August 29, 2010

THE EVENT Full Length Trailer
New NBC TV Series Starring Blair Underwood As U.S. President Elias Martinez Premiering Monday, September 20th, 2010





THE EVENT, a new NBC tv series premiering September 20th, 2010 looks rather interesting - I like tv dramas. And because I like Blair Underwood going all the way back to the young, hip (always dressed to the max in double-breasted suits) and professional Black lawyer on the NBC tv series L.A. Law, this new THE EVENT series peaked my interest. What's especially compelling about this show for me is that Blair Underwood plays the president of the United States and he's of Afro-Cuban descent from Florida.


Other supporting actors worth mentioning are Lisa Vidal, who plays the 1st lady and worked with Blair Underwood on the incredibly well-written ABC TV series crime/drama cop show High Incident (1996-1997); then there's venerable African-American actor Tony Todd playing one of the President's advisors - he's so qool; and lastly there's actor Zeljko Ivanek (Governor James Devlin from HBO's "Oz" and he recurred on Homicide: Life On The Street). This guy is a great character actor and fits THE EVENT show so well with its intricate conspiracy plots.




Also, this show looks pretty ambitious with a meticulous storyline and plot. It's a really welcomed addition since similar shows like "24" just finished a successful 8-year run is now off the air; and and last season's most excellent ABC show "FlashForward" got canceled after one season and wasn't allowed to get its legs under itself and find an audience.

Below is the 4 minutes trailer plus some real life and fictitious biographies of Blair Underwood/Elias Martinez...






President Alias Martinez (Character Bio):
Moral and idealistic. Hugely popular with the American people and around the world, President Martinez wants to be a new kind of President, working toward a new America. He's committed to honesty and runs the first truly bipartisan administration in recent history, with Vice President Raymond Jarvis at his side. Two parties, one purpose. Before becoming President, Born to Cuban refugees in Miami, Florida, President Martinez is very proud of his Afro-Cuban roots. He is a graduate of Yale University.

The now happily married Elias and Christina have a seven-year-old son named David.

President Martinez is immersed in the typical duties befitting the President of the United States, when he is handed a top secret file that will change the course of his presidency from that moment on.

A secret informant has recently led him to discover that 97 detainees...



Blair Underwood (Biography):
Blair Underwood stars as President Elias Martinez, the recently elected President of the United States, who's stunned to learn that his own government is keeping secrets from him in NBC's new high-octane conspiracy thriller The Event. As he tries to do right by the public, he soon finds himself in the midst of a huge cover-up, and the target of a spectacular assassination attempt.

Underwood has distinguished himself as an award-winning actor/director/producer, who continues to showcase his multitude of talents in the world of film, television, theater and literature.

In 2008, Underwood was seen in three high-profile television projects: he was a Golden Globe nominee for his performance as a Navy fighter pilot in HBO's critically acclaimed "In Treatment"; he starred in the hit drama "Dirty Sexy Money"; and he reprised his recurring role of Mr. Harris in "The New Adventures of Old Christine." Underwood's past television credits include TV series and movies such as, "Sex and the City," "LAX," "City of Angels," "Mama Flora's Family," "Murder in Mississippi," "Soul of the Game," "The Wishing Tree," and "Heat Wave."

Underwood's feature film credits include "Something New," "Madea's Family Reunion," "Malibu's Most Wanted," "Full Frontal," "Rules of Engagement," "Gattaca," "Asunder," "Deep Impact," "Just Cause," "Set It Off" and "Posse." In 2007, Underwood made his feature directorial debut in the independent drama "Bridge to Nowhere." He recently completed production on the independent drama "Homework," opposite Emma Roberts and Freddy Highmore.

Underwood produced the TLC series "Million Dollar Christmas" with his producing partner Tommy Morgan Jr. for their Intrepid Inc. production company. The first order of the series followed a group of lottery winners in St. Louis, Missouri. Intrepid Inc. has several projects in development, including a documentary on the history of African-Americans in entertainment for Associated Television International.

Underwood is also an established author, having penned several works including the non-fiction book "Before I Got Here," the Tennyson Hardwick detective series "Casanegra," "In the Night of the Heat," and most recently "From Cape Town with Love" with Tananarive Due and Steven Barnes (all published by Atria Books/Simon & Schuster, Inc.). He also starred in and directed a series of video vignettes from the pages of "From Cape Town with Love" for Vook.com as a visual book.

In 2009, AIDS Healthcare Foundation, the United States' largest non-profit HIV/AIDS healthcare provider held the grand opening of its first AIDS treatment center in Washington, D.C. - named after Underwood in recognition of his longtime advocacy. The AHF Blair Underwood Clinic includes a state-of-the-art, full-service HIV/AIDS treatment clinic as well as an on-site AHF Pharmacy. Underwood is also co-founder of Artists for a New South Africa (ANSA).

Sunday, December 6, 2009

NO PLACE TO CALL HOME (Theater Play)
Paul Roberson Theatre
Last Performance: Sat, December 12th, 2009
Fort Greene, Brooklyn, NYC


Hey Black Family,


I came out in the rain and sleet and saw this play on Saturday, December 5th, 2009 in order to go out and support my friend Sidiki Fofana who is one of the actors in the play. The play was a really poignant piece and the behavior and attitudes with the youth of today! The language of the youth wore me out, but it was reality like the kids on the buses and trains or out in the street.

December 12th, 2009 is the last performance so please show your support. Well worth the $20.00 bucks!!


"Five Adolescent boys living in a foster care group Home. Will the threat by the homeowners association to close the home be enough to stem the tide of dysfunctional behavior developing from the youths? You be the judge!!" (STRONG LANGUAGE)


Written By Les Ford
Directed by Evric Dechane Atwell


Last Performance Date:
SATURDAY DECEMBER 12th, 2009

Showtime @ 8PM!


General Admission $20 / Senior Citizens - Students $10
Also we have industry comps!.

Location: Paul Robeson Theatre
40 Greene Avenue
(between Carlton Avenue and Adelphi Street)
Fort Greene in Downtown Brooklyn, NY



Cast:

Gabriel Hamilton as Malcolm Frazier




Kubbi Actress as Princella Cobb



Dennis Johnson as Travis Bennett



Sidiki Fofana as Kareem Bennett




Henry Gray as John Bellows




Moises Acevedo as George Gerard



Cory Campbell as Cerone Jones



Erik Mckay as Luther Bennett



Tamala Baldwin as Helene James



Jahnesha Huertas as PeeDee

and

William Abbot as Trinidad Mack

Friday, November 27, 2009

Theater: THE MEETING
A Secret Meeting Between Malcolm X and Dr. Martin Luther King, Jr.
Kumble Theater (Bklyn)
Monday, Jan. 18th, 2010


Celebrate Martin Luther King, Jr. Day
at Kumble Theater


Join Shades of Truth Theatre
and
Kumble Theater for the Performing Arts
as they present:


















THE MEETING


Written by Jeff Stetson
Directed by Eric Coleman
with
Lawrence Winslow as Malcolm X,
Michael Green as Martin Luther King, Jr.
and
Ron Wilks as Rashad


Monday, JANUARY 18th, 2010
· 3PM & 6:30PM
Showtimes
·




Synopsis:

The Meeting is an engaging and intelligent play that depicts a fictional account of a secret meeting between Malcolm X and Dr. Martin Luther King, Jr. following the bombing of Malcolm X's home.

Shortly before he is assassinated Malcolm meets Martin in a room inside the historic Theresa Hotel. They were two men with different ideologies, but common understanding of the plight of Black Americans. Join us for a MLK Day theatrical celebration and post-show discussion.


Celebrate the holiday in a unique way!

Tickets: $25 and
$15 for students, seniors &
groups of 10 or more.


For tickets
Visit us on the Web:

www.kumbletheater.org

Or

Box office:
Call (718) 488-1624

Wednesday, September 23, 2009

SGL Film MISSISSIPPI DAMNED
At The 13th Annual Urbanworld Film Festival
Fri & Sat, Sept. 25th & 26th, 2009 ONLY in NYC!












Hey Black Family,

A goof friend emailed this to me TODAY and I need to get it out pronto as it is TIME SENSITIVE...

The MOST EXCELLENT film
Mississippi Damned

will be playing in New York City at the
13th Annual Urbanworld Film Festival



PLEASE SUPPORT AND CHECK OUT HIS FILM!
It's REALLY GOOD!
And a lot of social commentary!!






Date and Time:
Friday, September 25th at 12:30pm

Location:
34th Street AMC Loews

312 West 34th Street
(between 8th and 9th Avenues)
New York, NY 10001

Date and Time:
Saturday, September 26th at 5:45pm
Location:
34th Street AMC Loews

312 West 34th Street
(between 8th and 9th Avenues)
New York, NY 10001



Check out the Urbanworld Film Festival website
for ticket information and more details.





The Two SGL Sistahs Mississippi Damned




Actor Malcolm David Kelley







Jossie Harris Thacker, born and raised in Harlem, New York, began her career as a dancer. She moved to Los Angeles after landing a starring role as one of the acclaimed Fly Girls in Fox's hit TV show, In Living Color, opposite Keenan and Damon Wayans, Jim Carrey, and Jennifer Lopez. It was there Jossie became enamored with the craft thus making a natural transition into her acting career. Film credits include the soon to be released film: Boppin' at the Glue Factory, by director Jeff Orgill; Sergio Arau's film A Day Without a Mexican; and The Halfway Diner, an independent short film written by John Sayles. Jossie's television credits include: Chris Gerolmo's Over There for FX, NBC's ER and The West Wing, CBS's Close to Home, and ABC's Notes from the Underbelly. Jossie recently graced the stage as Margo in Carlos LaCamara's, Havana Bourgeois, a role written for her, which earned her riveting reviews from the L.A. Times and L.A. Weekly. Other memorable stage credits include the role of Desdemona in Othello starring opposite Charles Dutton and the role of Julia in Becoming Cuban, also by Carlos LaCamara.

Jossie plays Charlene "Charlie" Stone in Mississippi Damned. This is her second project with director, Tina Mabry. She starred as Brooklyn in Brooklyn's Bridge to Jordan, the multi-award winning short film that aired on Showtime, BETJ, and Logo.

Jossie will be in attendance at both screenings at Urbanworld. At the Saturday show she will be joined by Exectuive Producer and Producer, Lee V. Stiff.



Q: What was your experience like working on Mississippi Damned?

A: In a word, my experience working on Mississippi Damned was priceless. For most African-American and Latino actors, such as myself, roles like "Charlie Stone" are rarely written for us. So naturally when I was presented with the opportunity to play this delicious, complex character I was both excited and scared all at once. As if Tina had not created enough drama, while I prepared to shoot my first Charlie scene's, which was also our first day of shooting, the crew and I found ourselves in the middle of a tornado. But something about half the crew huddled together in that small bathroom bonded us. From that day forward it was like working with family. I think we all quickly got the sense that we were creating something special.

Q: Charlie experiences a lot through out the course of the movie, how did you develop her character?
A: Yes, Charlie does experience a lot throughout the movie. She basically goes through hell and back. In terms of the work I did in developing the character, I think I would need a few pages for that but I'll try to take you through the short version of my process. First off, I tackled Charlie as I do every role. I read the script as many times as I possibly could which at the time was not that many as I had to contend with my biggest challenge which was keeping my son, Elijah, then 18 months old, busy every second of the day while my lil Jonah, kicked around in my belly, ready to make his entrance at any given moment. Tina made it very easy for me though. I love a good writer and dissecting Charlie was a high for me. With every clue she gave me about the character I wrote it down or stored it in my head. Then I created a bio for Charlie and asked myself, "how am I like Charlie?" and "how am I different then Charlie?" and there I began to find her voice and ultimately her spirit. Next, I began thinking, breathing, walking, talking Charlie.

In addition, I had to tackle what was going on socially and politically for woman during the 80's and again in the 90's. I had to get into the mindset of woman during that era which looked very different than the opportunities, the rights and support that are available to me as a woman today. I don't drink nor smoke so I did a little research on the affect of chain smoking and alcoholism, and lastly, I had to work on the way Charlie spoke. I was born and raised in Harlem, Charlie was from the south, two very different dialects. Needless, to say there were a lot of traps in playing this role. I did a lot of work avoiding those traps the best I could.

Q: What was the most challenging aspect of creating your character?
A: Although the goal for every serious actor should be to disappear yourself in the role I know personally that that is actually a lot easier said than done. Because I knew this was a real and significant person in Tina's life, it was very important for me to loose "Jossie" and allow the audience to experience "Charlie". Initially, I think the most challenging aspect of creating Charlie was knowing she was a true, breathing human being and more over a living relative of Tina's, as oppose to a character she had penned in her mind. I had to let go of that pressure. Once I did, I found myself having to deal with having a little more in common with Charlie than I really cared to admit. I found myself saying, "if not for the grace of God, who knows where or who I would be today". It was scary to see that had I not made the choices I made growing up I could've easily been walking in her shoes. There wasn't one night that I didn't get back to that little room, in that cramped hotel in the middle of nowhere that I didn't thank God for my life and couldn't wait to get back to it. It was a very therapeutic journey.

Q: Which character, besides your own, do you relate to the most?
A: I relate to the role of Kari the most. I've seen MD maybe three or four times now and every time I watch it, it literally moves me to tears. It's as though I'm watching it for the first time because in a lot of ways, I'm that little girl, except my hood was Harlem, and despite what I've been through growing up I've always had a fierce determination to do and be more. Kari's story takes me through an emotional journey that reminds me of where I come from, where I've been, where I'm going and that insane single-mindedness needed to get there. Tina has done an incredible job in making all her characters relatable in some way, no matter where you're from.

Q: What projects are you currently working on?
A: I recently starred opposite Danny Pino, of CBS's, Cold Case, in the Miami stage production of, Carlos Lacamara's, Havana Bourgeois. I did the Los Angeles production of it last year and was the only cast member with the exception of Ugly Betty's, Tony Plana, invited back for the Miami run of the production. Again, it was an awesome role and it's exciting to hear the industry buzz about major investors interested in taking it to the next level, perhaps Broadway!

Next, I'm preparing for a role in a feature film that is currently in works with a highly acclaimed Oscar nominated actor, I'll keep you posted on that one. Plus I have several other projects that are currently in the pre-production stage. This continues to be a great year and I expect 2010 is going to be even better.

Wednesday, July 29, 2009

African-American Actor Jeffrey Wright
Commentary: Obama, Race and My Arrest


CNNPolitics.com

Commentary: Obama, Race and My Arrest
updated 11:18a.m. EDT, Fri July 24, 2009

By Jeffrey Wright
Special to CNN

Editor's note: Jeffrey Wright is a stage and screen actor who has won a Tony, Emmy and Golden Globe. Wright has appeared in "Angels in America," "Basquiat," "The Manchurian Candidate," "Syriana," "W." and "Casino Royale."

Actor Jeffrey Wright says a nation that put a man on the moon should be able to take race out of policing.

Actor Jeffrey Wright says a nation that put a man on the moon
should be able to take race out of policing.


NEW YORK (CNN) -- President Obama expressed what many Americans feel regarding the recent arrest of Harvard professor Henry Louis "Skip" Gates -- that the Cambridge, Massachusetts, police responded "stupidly."

Obama is catching some flak for that, but I applaud him for having had the courage to speak his heart and mind.

I wonder if the president himself has ever experienced the blunt end of racial profiling, or if he personally knows of anyone other than Professor Gates who has. Among African-American males in this country, the small minority is those who have not or do not.

Did some prior experience or knowledge inform his response about the Gates incident? I have no facts to back this up, but, to me, it seemed personal. If it was, I understand.

I was arrested last July in Shreveport, Louisiana, outside a bar where dozens of members of the cast and crew of the movie "W." and I had gathered to celebrate the end of filming. There was no bar brawl as widely reported -- nor even a pre-election political argument.

Nine police cars and a fire engine responded; seven people were arrested. Two of the seven suffered minor head wounds at the hands of the Shreveport police. Josh Brolin and I were pepper sprayed by cops, and while face down in the street, I was made to feel the business end of a Taser.

The truth of what led to the whole morass has never been accurately reported. I was asked to leave the bar by a white female bartender who took exception to a comment I made.

As with Professor Gates, the police in my case backed unquestioningly the suspicion of a white woman that the black man she accused must be guilty of something. Once that die of accusation was cast, a ghost of racial bias, misperception, and the potential abuse of police authority was set free to make mischief.

The bar was one of two places in downtown Shreveport that serves food after 10 p.m. A few nights before my arrest, I had gone there very late after work to grab a bite to eat. It was before closing, and there were a few customers and employees inside, but the door was locked. I knocked and asked, over the music streaming from inside, if I might buy a small pizza. The bartender insisted that they were closed.

"Whatever," I said with a shrug of resignation and walked back to my hotel room.

Four nights later and in a festive mood, we gathered at this same establishment. Upon seeing the bartender who had a few nights before told me that the place was closed, I asked her for a drink, which she poured. I quipped, "Ah you're going to serve me tonight!"

At that, she pulled the drink away and told me that I had to leave. I asked if she was kidding. She went on to say that if I didn't leave, she would call the police. As I stepped away to tell friends what had happened, a call was made to Shreveport police.

Two cops, the first of many, arrived in minutes, and I was physically escorted outside although neither of them had the curiosity to ask what had transpired before they arrived. A mess ensued.

To their credit, Josh and the others arrested followed me outside with a few others from our group. The cops physically released me and were seeming to be ready to let me go altogether when, out of the corner of my eye, I saw another member of the film crew driven headlong into the sidewalk by two newly arrived cops.

Josh verbally objected to their actions, at which point a cop said to him, "You too!" I moved Josh away from the fray and held him. We were then pepper sprayed to separate us, after which Josh knelt in submission and was handcuffed.

Disoriented and blinded by the pepper spray, I remained standing until I was kicked in the knee and forced to the ground. I did not completely relax one of my arms as it was twisted behind me, so I was tasered in the back of my ribs repeatedly, eventually handcuffed, left to lie in the street for several minutes, then arrested and hauled off to jail, and charged with impeding police. The six others were similarly charged -- and it all began with a joke.

Nearly six months later, after a good-size storm kicked up in Shreveport over the incident, prosecutors agreed to drop the charges against all of us arrested that night.

New Year's Day 2009 and the same week in which charges were dropped against us, in Oakland, California, Oscar Grant, a young father, was killed in a BART station, surrounded by cops and in the same position as I found myself down in Shreveport. It seems the BART cop may have pulled the trigger of his firearm thinking that it was his Taser.

Shreveport Mayor Cedric Glover is known as a law-and-order mayor. The day after the encounter, in the presence of his police chief, Glover apologized to me and privately acknowledged that while most Shreveport's cops were good, there were some "devils" among them.

In public meetings regarding the "W." incident, however, he held fast that the responding officers acted appropriately. Either Glover's public statement was dead wrong, or the joke was on us.

Of course, public officials, particularly at the local level, are loathe to criticize law enforcement officers. On a certain level, it's understandable. Cops answer a noble and difficult calling. The pressure must be relentless, and I imagine a cop is largely underappreciated by most except those with whom he or she serves.

A political pat on the back from the executive in charge must be a comforting thing in controversial times, and politicians prefer to duck behind the political safety of the blue wall of silence than upset the men and women who, like our nation's troops, are charged with placing themselves every day in harm's way to keep us safe.

When he was mayor of New York, Rudy Giuliani encamped himself behind that blue wall. After Amadou Diallo, living out the All-American, hard-working immigrant story, was brutally shot down on the steps of his Bronx apartment building, Giuliani refused to question the actions of the cops who fired 41 bullets in killing the unarmed young man.

Is a politician's unwavering fidelity to law enforcement officers the best approach, or does it promote a police culture of impunity and retard progress on law enforcement issues?

What if after the Diallo tragedy, political leadership in New York inspired the passage of serious legislation to keep in check the presumption of criminality that cops so often direct toward young men of color. What if that had led to similar acts nationwide around these issues?

Gates might not be headline news today; Grant might not have died; and New York police Officer Omar Edwards, an African-American undercover officer shot down two months ago by a white fellow officer while chasing a suspect through a Harlem street, might be alive today to toss a football again with his son. iReport.com: "Shame" on Gates

I'm not presuming to blame Giuliani alone for what has become a systemic problem in our country -- that would be absurd, these issues predate him -- but when political leaders in this country express compassion only for those for whom they perceive it to be politically expedient or fail to challenge law enforcement and incarceration issues that cut to the core of the history and culture of race in America, they fail us all. They exemplify what U.S. Attorney General Eric Holder meant when he spoke of the cowardice with which we as a society approach race dialogue in this country.

These are messy, even bloody issues, but the cost of not addressing them is too draining of our societal health. Among other things it fosters a society in which too many young Americans internalize the aura of criminality that's projected onto them and handcuff themselves to self-imposed limitations that stifle us all.

Going to prison rather than to college becomes a rite of passage. They wear their pants below their behinds in solidarity with their friends, brothers, uncles or fathers who aren't allowed belts while incarcerated, though perhaps the low-hanging pants are a defiant gesture to society at large for continually presuming them to be miscreant.

This past week the Apollo 11 crew was at the White House welcomed by the president of a new generation of dreamers. Our great nation put a man on the moon, but it can't train its cops to distinguish between an ordinary brown-skinned brother and a criminal. At its least injurious, as with Gates and myself, this leads to bruised pride and reputation; at its worst, Grant or Edwards gets killed.

President Kennedy famously said, "We choose to go the moon ... and do the other things not because they are easy, but because they are hard." Maybe properly educating, screening and training our nation's police is one of "the other things." My son is 7 years old. May our generation have accomplished this other thing before he's a young man, and before we've sent a man to Mars.

The challenge is one that many Americans are willing to accept -- one, that for the sake of our children, all Americans should be unwilling to postpone.

The opinions expressed in this commentary are solely those of Jeffrey Wright.