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Otta Benga, Formerly Enslaved
The Epitome of a Nubian Knight

Otta Benga, Formerly Enslaved<br>The Epitome of a Nubian Knight

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"Thanks For The Support Everybody!!!"

QUOTATIONS OF "BLACK"

"Whenever I use BLACK it relates to some history of Africans in that particular place. It’s the idea of the color BLACK as a metaphor, or as a representation of African-Americans. It’s the notion of BLACK- BLACKNESS - and all its other meanings in relation to the history of race..."

- Fred Wilson



"Most of my fortitude to continue doing the work comes from the moral outrage I feel about the injustices that Black people endure disproportionately daily."

- N. Abdul-Wakil



"In the end, what matters is not skin shade but pan-African consciousness. Loving your complexion, your nose, lips, hair length and texture, no matter what the politics or trends decide, and simply be. That's the problem with us (African folks). We're still learning how to love ourselves. So used to glorifying others and putting others first..."

- Dredlocks Tree

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)
Click The Pic To Access The Film Library Database! (166 Films)
LAST UPDATE: Monday, December 3rd, 2012
Showing posts with label Race. Show all posts
Showing posts with label Race. Show all posts

Thursday, June 3, 2010

Race-Talk: What If There Is No Recovery?





www.race-talk.org

What if there is no recovery?
Featured — By Eric Stiens on January 26, 2010 at 7:34 am

“Anyone who believes exponential growth can go on forever in a finite world is either a madman or an economist” — Kenneth Boulding

“The money changers have fled from their high seats in the temple of our civilization. We may now restore that temple to the ancient truths. The measure of the restoration lies in the extent to which we apply social values more noble than mere monetary profit.” — FDR

For years, economists and others have tried to avoid the question of what a just and fair distribution of wealth would look like by holding tight to the tacit assumption of unlimited exponential growth of both the US economy and the global economy. This is not only the worldview of trickle-down economics or of the American Right. It is also the worldview of poverty alleviation strategies (from the individual to international development) that rely on theories of change that move people up the existing economic ladder – as if, with the right combination of asset-building, credit, and education, all people can eventually become middle-class, or, with a little fiscal austerity and the right public policies, all countries can eventually consume as much per capita as the United States.

Even those strenuously arguing that we must change how we are cutting the pie slices rarely question the need for (or the ability of) the overall pie to grow. Yet the protracted global economic downturn must give us pause to at least ask, “What happens if the pie cannot grow? What happens if the pie must shrink?” What would justice and equity look like in a global economy that must go through a long and deep contraction? What if that contraction, in fact, is permanent?

Most of the debate around the recovery has been about what it will look like – V shaped or W-shaped, quick or slow, jobless or not. We have had discussions (but not enough) about what we must do to make sure that the various stimulus plans lessen racial disparities rather than exacerbate them. However, the presence of something called “recovery” has not been questioned. Instead, it has been taken for granted that this downtown is the result of the unwinding of a speculative bubble centered in real-estate and that it would eventually hit bottom and turn around.

Yet, in the great scheme of things, this is a small speculative bubble. The past hundred (or 300, depending on how you look at it) years have seen massive exponential growth in population, in resource use, in wealth – driven by our access to what has been nearly-free energy. We found a way to turns billions of years of fossil-fuels into a seemingly unlimited piggy bank and made up stories about unending progress, the triumph of technology, manifest destiny, etc to justify our use of it. The ruling class, acting as ruling classes do, found a way to siphon tremendous amounts of this wealth up to the top of the pyramid.

To put it bluntly, there is a chance (how large that chance is is left up to the judgment of the reader), that there will be no return to business as usual, no return to an economy driven by unsustainable amounts of debt and resource use, no way to return to the economic growth that we have come to view as essential. That between global climate change and the peaking of various resource extraction rates (oil the key one), we are globally stuck between a rock and a hard place. That there will be no recovery, at least if recovery is a synonym for a return to the ways things were two years ago.

Our reluctance to accept industrial collapse as a possibility comes from not only a shortsightedness that thinks the last 40 years can be repeated over and over without a Great Depression, but that the last 300-500 years can be replayed over and over – that industrial civilization and Western style capitalism and democracy is the pinnacle of human achievement and things are, with some lulls, always on their way up. It is, quite simply, a type of denial.

The incredible affluence of the American Empire and the process of Industrialization has always required systematic denial just as surely as it has required oil and the specialization of labor.

A denial of the slavery and genocide that it was built upon. A denial of limits to growth and ecological boundaries. A denial of the extreme wealth concentration it made possible, and the denial that we live in a society that much more closely resembles a plutocracy than a meritocracy.

A denial of the connection between wealthy white suburbs and concentrated Black poverty present in the inner-core of most cities.

A denial of the exploitation that has always gone hand in hand with expansion – coal miners dead of black lung, strikers shot by police, children working 15 hours a day in sweatshops, indigenous peoples the world over wiped out so we could have access to their resources.

A denial of the control apparatuses of the State – the military industrial complex and the prison industrial complex, with their disproportionate effects on communities (and nations) of color.

And lastly, denial of the incredible psychic and emotional toll that living so far out of balance with the earth and out of relationship with each other has created – the hollow emptiness of 21st Century affluence.

However, even if we are now in the decline phase of the industrial process, this does not give as an excuse not to talk about justice and equity. I am not proposing handwringing or absolving anyone of responsibilities (“Well, if things are that bad, there’s nothing we can do.”) If anything, it makes it more essential, and it may just make it possible to root this discussion in worldview that is less consumed by denial and desire and more in touch with the truths of being part of multiple communities – human and non-human.

I believe that, for those of us with privilege, much of our unwillingness to talk deeply and seriously about what a just and equitable world would look like comes from a deep seated fear that things are going to be taken from us. When it becomes clear that those things are disappearing whether we like it or not, it provides space to move beyond that fear into the world of possibilities behind it. As the myths and stories that have propped up the 20th century begin to crumble, we will have the opportunity to write new stories, to create new myths – to literally create new selves.

Over the next few months I hope to talk about what systems thinking and systems science methodologies have to offer racial justice activists and social scientists examining racial disparities. However, I would be remiss as a systems thinker if I did not use my first blog post to draw attention to the elephant in the room – limits to growth and the inevitable failure of any socioeconomic system that relies on unlimited growth to sustain itself.

N.B. While I was writing this post, this headline came over my feed reader. BBC – Economic Growth Cannot Continue
Written by: Eric Stiens on January 26, 2010.

Tuesday, January 12, 2010

Does Alien Movie "Avatar" Have a Racist Theme?



The following column below is taken from blackamericaweb.com. And no matter what you think of Avatar if you've seen the film or not (like I haven't seen the film but because Avatar's a hot topic in the news financially and its social-political storyline), it is undeniable that it brings up the race dialog yet again. It becomes clear over and over again, that the United States of America still does not want to deal with race or racial inequality. Some are quick to say "well, it's just a fantasy movie, stop being so serious about it" or "well, we have a our first Black president,, what more do you want?" . And yet as comedian Paul Mooney recently said on The Tavis Smiley Show, (paraphrasing) are Black people supposed to be ecstatic because we have a first Black president when yet the previous 43 presidents were all white? And fianlly, this post-racial America feel-good crap term thrown around is a fucking joke!

So, again, whenever there are parallels to race (in this case the Avatar film), how can it be surprising to folks that race doesn't flare up again??? We as a country don't wanna deal with it!!!!! How can it not come up unexpectedly???

Dr. Joy DeGruy, a professional around post-traumatic slave syndrome, has said time and again, that America keeps putting a band aid on the bole (race), yet it festers and the wound becomes even more infected because we won't properly deal with it.

Anyway,
here's the article which I thought was a great read...

ROD







Does Alien Movie 'Avatar' Have a Racist Theme?

Date: Tuesday, January 12, 2010, 5:22 am
By: Jesse Washington, AP National Writer

Near the end of the hit film "Avatar," the villain snarls at the hero, "How does it feel to betray your own race?" Both men are white — although the hero is inhabiting a blue-skinned, 9-foot-tall, long-tailed alien.

Strange as it may seem for a film that pits greedy, immoral humans against noble denizens of a faraway moon, "Avatar" is being criticized by a small but vocal group of people who allege it contains racist themes — the white hero once again saving the primitive natives.

Since the film opened to widespread critical acclaim three weeks ago, hundreds of blog posts, newspaper articles, tweets and YouTube videos have said things such as the film is "a fantasy about race told from the point of view of white people" and that it reinforces "the white Messiah fable."

The film's writer and director, James Cameron, says the real theme is about respecting others' differences.

In the film (read no further if you don't want the plot spoiled for you) a white, paralyzed Marine, Jake Sully, is mentally linked to an alien's body and set loose on the planet Pandora. His mission: persuade the mystic, nature-loving Na'vi to make way for humans to mine their land for unobtanium, worth $20 million per kilo back home.

Like Kevin Costner in "Dances with Wolves" and Tom Cruise in "The Last Samurai" or as far back as Jimmy Stewart in the 1950 Western "Broken Arrow," Sully soon switches sides. He falls in love with the Na'vi princess and leads the bird-riding, bow-and-arrow-shooting aliens to victory over the white men's spaceships and mega-robots.

Adding to the racial dynamic is that the main Na'vi characters are played by actors of color, led by a Dominican, Zoe Saldana, as the princess. The film also is an obvious metaphor for how European settlers in America wiped out the Indians.

Robinne Lee, an actress in such recent films as "Seven Pounds" and "Hotel for Dogs," said that "Avatar" was "beautiful" and that she understood the economic logic of casting a white lead if most of the audience is white.

But she said the film, which so far has the second-highest worldwide box-office gross ever, still reminded her of Hollywood's "Pocahontas" story — "the Indian woman leads the white man into the wilderness, and he learns the way of the people and becomes the savior."

"It's really upsetting in many ways," said Lee, who is black with Jamaican and Chinese ancestry. "It would be nice if we could save ourselves."

Annalee Newitz, editor-in-chief of the sci-fi Web site io9.com, likened "Avatar" to the recent film "District 9," in which a white man accidentally becomes an alien and then helps save them, and 1984's "Dune," in which a white man becomes an alien Messiah.

"Main white characters realize that they are complicit in a system which is destroying aliens, AKA people of color ... (then) go beyond assimilation and become leaders of the people they once oppressed," she wrote.

"When will whites stop making these movies and start thinking about race in a new way?" wrote Newitz, who is white.

Black film professor and author Donald Bogle said he can understand why people would be troubled by "Avatar," although he praised it as a "stunning" work.

"A segment of the audience is carrying in the back of its head some sense of movie history," said Bogle, author of "Toms, Coons, Mulattoes, Mammies & Bucks: An Interpretive History of Blacks in American Films."

Bogle stopped short, however, of calling the movie racist.

"It's a film with still a certain kind of distortion," he said. "It's a movie that hasn't yet freed itself of old Hollywood traditions, old formulas."

Writer/director Cameron, who is white, said in an e-mail to The Associated Press that his film "asks us to open our eyes and truly see others, respecting them even though they are different, in the hope that we may find a way to prevent conflict and live more harmoniously on this world. I hardly think that is a racist message."

There are many ways to interpret the art that is "Avatar."

What does it mean that in the final, sequel-begging scene, Sully abandons his human body and transforms into one of the Na'vi for good? Is Saldana's Na'vi character the real heroine because she, not Sully, kills the arch-villain? Does it matter that many conservatives are riled by what they call liberal environmental and anti-military messages?

Is Cameron actually exposing the historical evils of white colonizers? Does the existence of an alien species expose the reality that all humans are actually one race?

"Can't people just enjoy movies any more?" a person named Michelle posted on the Web site for Essence, the magazine for black women, which had 371 comments on a story debating the issue.

Although the "Avatar" debate springs from Hollywood's historical difficulties with race, Will Smith recently saved the planet in "I Am Legend," and Denzel Washington appears ready to do the same in the forthcoming "Book of Eli."

Bogle, the film historian, said that he was glad Cameron made the film and that it made people think about race.

"Maybe there is something he does want to say and put across" about race, Bogle said. "Maybe if he had a black hero in there, that point would have been even stronger."

___

Jesse Washington covers race and ethnicity for The Associated Press.


UPDATE (FRIDAY, JANUARY 22ND, 2010):

The following is a thoughtful DECONSTRUCTION and analysis using CRITICAL THINKING around RACE in regard to Avatar paralleled with the racist history of the United States.

Well, well done! The truths here cannot be refuted!!




Saturday, December 26, 2009

HAPPY KWANZAA!
Day One (1): December 26th
Habari Gani?
Umoja (oo-MO-jah): Unity



Today, December 26th,
is the First Day of Kwanzaa!




The First Principle of Kwanzaa is:

Umoja (oo-MO-jah): Unity


- To strive for and maintain unity in the
family, community, nation and race.

(Light The Black Candle)



Traditional Greeting: "Habari Gani?"
(Translation: "What's the Word?" or "What's the News?")
Response on December 26th: "Umoja!"

Find a meaningful way to instill Umoja your life today,
and in the coming year.


HAPPY KWANZAA!



Kwanzaa History -- powered by eHow.com
KWANZAA HISTORY
Running Time: 1 min, 09 sec











Myths About Kwanzaa -- powered by eHow.com
MYTHS ABOUT KWANZAA
Running Time: 2 min, 14 sec











Seven Principles of Kwanzaa: Umoja -- powered by eHow.com
1ST PRINCIPLE: UMOJA (UNITY)
Running Time: 1 min, 32 sec



The Black Candle: A KWANZAA Celebration DVD

Thursday, October 1, 2009

Coney Island Generation Gap
Stop Da Violence Go-Cart Race
Saturday, September 5th, 2009
Coney Island (South Brooklyn), NYC

One Of The Finest Moments I Captured!
YOU GOTTA LOVE THIS!


This has to be one of the greatest moments in my life as a photographer.
I mean, just look at the photo above with these two adorable looking boyz with theri go-cart medals!! This picture truly conveys beyond a thousand words the excitement of this event photographed.
Coney Island which is at the edge of south Brooklyn (by the water) where I live had our 1st Annual Coney Island Generation Gap - Stop Da Violence Go-Cart Race. Man on Saturday, September 5th, 2009 at Kaiser Park. I tell you, it was so great to see all these young Black children and parents out there and doing something positive, affirming and FUN!


FLASHBACK: This event totally took me back and reminded me of the late 1970s/early 1980s (yeah, I know... I'm "dating" myself) when I remember me and my friend Charles (I think it was him) found this long slender and very thick wood board. while we were playing after school or on the weekend. We came up with the idea to use the wood to build a make-shift go-cart out of it.


Because Coney Island back then had a lot of empty, abandoned and desolate lots with weeds in them (ah, the old freaky deaky days in the make-shift clubs houses... ummm, that's another coming of age story which is rated "R" or "NC-17", LOL! ), it was easy to find some old broken down folding shopping carts. that were all medal including the spoke in the wheels. We needed two shopping carts so we could strip the metal axles with wheels from them. Man, just thinking about it, I remember that it was a FUCKING BITCH to pry the metals rods holding the shopping cart together from the axles with our hands hurting and all. We prevailed though and got two sets of axles/wheels for the front and for the back of the cart.


Next we either found some old nails laying around, or we may have gotten a hammer and nails from my Mom's toolbox or from Charles' house and nailed the axles to one side of the wood slab. I can't quite remember if we used one method where we may have used long nails to hammer them in halfway into the wood and then we'd bang and curve the other half of the nails to secure the axles in place; or if we used "U" nails as a second method to hold the axles in place. I think it was the first method which is not as robust as the "U" nails (pictured). Or maybe the "U" nails didn't work out because they weren't wide enough to fit around the circumference of the axle rod. The front axle needed special attention and we did something special where we had less nails because we needed to be able to steer the go-cart. We found some twine and attached each end to the left and right ends of the front axle. GOSH! This is FUN remembering and blogging about this!! LOL!


Anyway, the next and last step was to paint this go-cart so that it looked really qool. It was my idea to paint the go-cart orange and blue. Why orange and blue? Well, because I was a huge, huge FAN of the Dukes of Hazard tv series back then (again "dating" myself, LOL!) and Charles and I agreed that would be some dope colors for our own General Lee! (Of course, with what I know now, I'd never sanction that choice because of the General Lee's confederate flag on the top of the car and it's abrasive history as it relates to African-Americans in the Unites States).


But now this is where my memory is a little sketchy. I wanna say it was just dumb luck or whatever because I believe we found an old can of orange spray paint in the bushes which was still good and had a little paint left in it. Doesn't get any better than that. I felt someone was watching over us so that we did complete our task at building this General Lee go-cart. But I think the dilemma was coming up with a couple of bucks to buy some blue spray paint. Back then my allowance was something like 50-cents or a ducket (buck) per week, so we had to dig deep in our already empty pockets and forgo any candy or comic books (Marvel Comics were 35 and 40-cents back then) for a week or two! LOL! And then the other challenge was if the store was going to sell us the spray paint. Charles and I were rather young (somewhere between 12 and 14 years old, I guess) and back then the law was stringent about selling minors spray paint because of the graffiti craze all over the place especially with New York City Transit trains being tagged like crazy and nothing like today. So, ultimately I think I may have (honestly I forgot) gotten questioned by the store, but we got the spray paint and we went to work and had our own General Lee. This whole process took place over some days I think so we had to hide our go-cart so that none of ht other kids in the neighborhood would find it and steal or just plain trash it to pieces. I would go out after school every day to check on it to see if it was safe.


In closing, I'll say that I did most of pushing while Charles did most of the riding. Though I was always tall for my age and skinny (see me pictured on the right here with my Mom in 1984), I weighed more than Charles, and so it made more sense to push him. (The go-cart didn't hold my weight too well if I remember correctly). And hey, I'm a nice person even to this day, so in retrospect I guess it's my natively nice and sunny disposition for the most part! LOL!

Also, the axles weren't particularly strong because they were meant to hold food or laundry in those folding shopping carts and NOT the weight of two heavier 12 to 14 year old skinny kids! And YES, the axles did cave in and bend and completely take out our go-carts. We'd either have to bend and straighten the axles back (which wasn't too so good because the integrity of the metal was compromised from the first bend) or we would find more shopping carts and strip the axel and wheel assemblies. Though I will say I did get to ride our General Lee Go-Cart with Charles pushing me a couple of times. Man, those were the FUN ol' days!!




As a side bar, we the kids in the neighborhood used to also open those johnny pumps (that's fire hydrants for you folks not in the know, LOL!) and use aluminum soda cans in which we scrapped the tops and bottom plates off against the concrete floor, and use the cans to propel the water like 25 feet in the air. But yo, YOU had to be real, real careful and hold the cans steady and securely because the pressure from the water would send the can flying and the jagged edges from scrapping off the plates could slice your hand or fingers. Not cute, but FUN nonetheless.

FLASH FORWARD TO THE PRESENT: I took a bunch of pics of this 1st Annual Coney Island Generation Gap Stop Da Violence Go-Cart Race. I selected a few pics to show here for this blog entry below. The go-carts I'm told are pre-fabricated (and not crude like ME/Charles' was, but we get a DAYUM "A" for effort all around, LOL!) and cost like $275 each and comes with the wheels, too. The money was raised through sponsorships such as NYPD, politicians and such. Check out the pics...



















































This Is One Of My Top Favorite Pics!
Kids Are Priceless, Man!


See much more of the Coney Island Go-Cart event with music by going here ---> Coney Island Generation Gap - Stop Da Violence Go-Cart Race Photo Album