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Otta Benga, Formerly Enslaved
The Epitome of a Nubian Knight

Otta Benga, Formerly Enslaved<br>The Epitome of a Nubian Knight

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QUOTATIONS OF "BLACK"

"Whenever I use BLACK it relates to some history of Africans in that particular place. It’s the idea of the color BLACK as a metaphor, or as a representation of African-Americans. It’s the notion of BLACK- BLACKNESS - and all its other meanings in relation to the history of race..."

- Fred Wilson



"Most of my fortitude to continue doing the work comes from the moral outrage I feel about the injustices that Black people endure disproportionately daily."

- N. Abdul-Wakil



"In the end, what matters is not skin shade but pan-African consciousness. Loving your complexion, your nose, lips, hair length and texture, no matter what the politics or trends decide, and simply be. That's the problem with us (African folks). We're still learning how to love ourselves. So used to glorifying others and putting others first..."

- Dredlocks Tree

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)
Click The Pic To Access The Film Library Database! (166 Films)
LAST UPDATE: Monday, December 3rd, 2012
Showing posts with label Racism. Show all posts
Showing posts with label Racism. Show all posts

Thursday, June 3, 2010

Race-Talk: What If There Is No Recovery?





www.race-talk.org

What if there is no recovery?
Featured — By Eric Stiens on January 26, 2010 at 7:34 am

“Anyone who believes exponential growth can go on forever in a finite world is either a madman or an economist” — Kenneth Boulding

“The money changers have fled from their high seats in the temple of our civilization. We may now restore that temple to the ancient truths. The measure of the restoration lies in the extent to which we apply social values more noble than mere monetary profit.” — FDR

For years, economists and others have tried to avoid the question of what a just and fair distribution of wealth would look like by holding tight to the tacit assumption of unlimited exponential growth of both the US economy and the global economy. This is not only the worldview of trickle-down economics or of the American Right. It is also the worldview of poverty alleviation strategies (from the individual to international development) that rely on theories of change that move people up the existing economic ladder – as if, with the right combination of asset-building, credit, and education, all people can eventually become middle-class, or, with a little fiscal austerity and the right public policies, all countries can eventually consume as much per capita as the United States.

Even those strenuously arguing that we must change how we are cutting the pie slices rarely question the need for (or the ability of) the overall pie to grow. Yet the protracted global economic downturn must give us pause to at least ask, “What happens if the pie cannot grow? What happens if the pie must shrink?” What would justice and equity look like in a global economy that must go through a long and deep contraction? What if that contraction, in fact, is permanent?

Most of the debate around the recovery has been about what it will look like – V shaped or W-shaped, quick or slow, jobless or not. We have had discussions (but not enough) about what we must do to make sure that the various stimulus plans lessen racial disparities rather than exacerbate them. However, the presence of something called “recovery” has not been questioned. Instead, it has been taken for granted that this downtown is the result of the unwinding of a speculative bubble centered in real-estate and that it would eventually hit bottom and turn around.

Yet, in the great scheme of things, this is a small speculative bubble. The past hundred (or 300, depending on how you look at it) years have seen massive exponential growth in population, in resource use, in wealth – driven by our access to what has been nearly-free energy. We found a way to turns billions of years of fossil-fuels into a seemingly unlimited piggy bank and made up stories about unending progress, the triumph of technology, manifest destiny, etc to justify our use of it. The ruling class, acting as ruling classes do, found a way to siphon tremendous amounts of this wealth up to the top of the pyramid.

To put it bluntly, there is a chance (how large that chance is is left up to the judgment of the reader), that there will be no return to business as usual, no return to an economy driven by unsustainable amounts of debt and resource use, no way to return to the economic growth that we have come to view as essential. That between global climate change and the peaking of various resource extraction rates (oil the key one), we are globally stuck between a rock and a hard place. That there will be no recovery, at least if recovery is a synonym for a return to the ways things were two years ago.

Our reluctance to accept industrial collapse as a possibility comes from not only a shortsightedness that thinks the last 40 years can be repeated over and over without a Great Depression, but that the last 300-500 years can be replayed over and over – that industrial civilization and Western style capitalism and democracy is the pinnacle of human achievement and things are, with some lulls, always on their way up. It is, quite simply, a type of denial.

The incredible affluence of the American Empire and the process of Industrialization has always required systematic denial just as surely as it has required oil and the specialization of labor.

A denial of the slavery and genocide that it was built upon. A denial of limits to growth and ecological boundaries. A denial of the extreme wealth concentration it made possible, and the denial that we live in a society that much more closely resembles a plutocracy than a meritocracy.

A denial of the connection between wealthy white suburbs and concentrated Black poverty present in the inner-core of most cities.

A denial of the exploitation that has always gone hand in hand with expansion – coal miners dead of black lung, strikers shot by police, children working 15 hours a day in sweatshops, indigenous peoples the world over wiped out so we could have access to their resources.

A denial of the control apparatuses of the State – the military industrial complex and the prison industrial complex, with their disproportionate effects on communities (and nations) of color.

And lastly, denial of the incredible psychic and emotional toll that living so far out of balance with the earth and out of relationship with each other has created – the hollow emptiness of 21st Century affluence.

However, even if we are now in the decline phase of the industrial process, this does not give as an excuse not to talk about justice and equity. I am not proposing handwringing or absolving anyone of responsibilities (“Well, if things are that bad, there’s nothing we can do.”) If anything, it makes it more essential, and it may just make it possible to root this discussion in worldview that is less consumed by denial and desire and more in touch with the truths of being part of multiple communities – human and non-human.

I believe that, for those of us with privilege, much of our unwillingness to talk deeply and seriously about what a just and equitable world would look like comes from a deep seated fear that things are going to be taken from us. When it becomes clear that those things are disappearing whether we like it or not, it provides space to move beyond that fear into the world of possibilities behind it. As the myths and stories that have propped up the 20th century begin to crumble, we will have the opportunity to write new stories, to create new myths – to literally create new selves.

Over the next few months I hope to talk about what systems thinking and systems science methodologies have to offer racial justice activists and social scientists examining racial disparities. However, I would be remiss as a systems thinker if I did not use my first blog post to draw attention to the elephant in the room – limits to growth and the inevitable failure of any socioeconomic system that relies on unlimited growth to sustain itself.

N.B. While I was writing this post, this headline came over my feed reader. BBC – Economic Growth Cannot Continue
Written by: Eric Stiens on January 26, 2010.

Tuesday, March 2, 2010

Racism and Xenophobia in Portugal,
"Respect The Immigrant " Commercial
...And THEN Racist House Parties By White U.S. Students!!

This commercial (first video) was FAR TOO POWERFUL for me not to post and share it with the FAM. WOW!!





Tuesday, January 12, 2010

Does Alien Movie "Avatar" Have a Racist Theme?



The following column below is taken from blackamericaweb.com. And no matter what you think of Avatar if you've seen the film or not (like I haven't seen the film but because Avatar's a hot topic in the news financially and its social-political storyline), it is undeniable that it brings up the race dialog yet again. It becomes clear over and over again, that the United States of America still does not want to deal with race or racial inequality. Some are quick to say "well, it's just a fantasy movie, stop being so serious about it" or "well, we have a our first Black president,, what more do you want?" . And yet as comedian Paul Mooney recently said on The Tavis Smiley Show, (paraphrasing) are Black people supposed to be ecstatic because we have a first Black president when yet the previous 43 presidents were all white? And fianlly, this post-racial America feel-good crap term thrown around is a fucking joke!

So, again, whenever there are parallels to race (in this case the Avatar film), how can it be surprising to folks that race doesn't flare up again??? We as a country don't wanna deal with it!!!!! How can it not come up unexpectedly???

Dr. Joy DeGruy, a professional around post-traumatic slave syndrome, has said time and again, that America keeps putting a band aid on the bole (race), yet it festers and the wound becomes even more infected because we won't properly deal with it.

Anyway,
here's the article which I thought was a great read...

ROD







Does Alien Movie 'Avatar' Have a Racist Theme?

Date: Tuesday, January 12, 2010, 5:22 am
By: Jesse Washington, AP National Writer

Near the end of the hit film "Avatar," the villain snarls at the hero, "How does it feel to betray your own race?" Both men are white — although the hero is inhabiting a blue-skinned, 9-foot-tall, long-tailed alien.

Strange as it may seem for a film that pits greedy, immoral humans against noble denizens of a faraway moon, "Avatar" is being criticized by a small but vocal group of people who allege it contains racist themes — the white hero once again saving the primitive natives.

Since the film opened to widespread critical acclaim three weeks ago, hundreds of blog posts, newspaper articles, tweets and YouTube videos have said things such as the film is "a fantasy about race told from the point of view of white people" and that it reinforces "the white Messiah fable."

The film's writer and director, James Cameron, says the real theme is about respecting others' differences.

In the film (read no further if you don't want the plot spoiled for you) a white, paralyzed Marine, Jake Sully, is mentally linked to an alien's body and set loose on the planet Pandora. His mission: persuade the mystic, nature-loving Na'vi to make way for humans to mine their land for unobtanium, worth $20 million per kilo back home.

Like Kevin Costner in "Dances with Wolves" and Tom Cruise in "The Last Samurai" or as far back as Jimmy Stewart in the 1950 Western "Broken Arrow," Sully soon switches sides. He falls in love with the Na'vi princess and leads the bird-riding, bow-and-arrow-shooting aliens to victory over the white men's spaceships and mega-robots.

Adding to the racial dynamic is that the main Na'vi characters are played by actors of color, led by a Dominican, Zoe Saldana, as the princess. The film also is an obvious metaphor for how European settlers in America wiped out the Indians.

Robinne Lee, an actress in such recent films as "Seven Pounds" and "Hotel for Dogs," said that "Avatar" was "beautiful" and that she understood the economic logic of casting a white lead if most of the audience is white.

But she said the film, which so far has the second-highest worldwide box-office gross ever, still reminded her of Hollywood's "Pocahontas" story — "the Indian woman leads the white man into the wilderness, and he learns the way of the people and becomes the savior."

"It's really upsetting in many ways," said Lee, who is black with Jamaican and Chinese ancestry. "It would be nice if we could save ourselves."

Annalee Newitz, editor-in-chief of the sci-fi Web site io9.com, likened "Avatar" to the recent film "District 9," in which a white man accidentally becomes an alien and then helps save them, and 1984's "Dune," in which a white man becomes an alien Messiah.

"Main white characters realize that they are complicit in a system which is destroying aliens, AKA people of color ... (then) go beyond assimilation and become leaders of the people they once oppressed," she wrote.

"When will whites stop making these movies and start thinking about race in a new way?" wrote Newitz, who is white.

Black film professor and author Donald Bogle said he can understand why people would be troubled by "Avatar," although he praised it as a "stunning" work.

"A segment of the audience is carrying in the back of its head some sense of movie history," said Bogle, author of "Toms, Coons, Mulattoes, Mammies & Bucks: An Interpretive History of Blacks in American Films."

Bogle stopped short, however, of calling the movie racist.

"It's a film with still a certain kind of distortion," he said. "It's a movie that hasn't yet freed itself of old Hollywood traditions, old formulas."

Writer/director Cameron, who is white, said in an e-mail to The Associated Press that his film "asks us to open our eyes and truly see others, respecting them even though they are different, in the hope that we may find a way to prevent conflict and live more harmoniously on this world. I hardly think that is a racist message."

There are many ways to interpret the art that is "Avatar."

What does it mean that in the final, sequel-begging scene, Sully abandons his human body and transforms into one of the Na'vi for good? Is Saldana's Na'vi character the real heroine because she, not Sully, kills the arch-villain? Does it matter that many conservatives are riled by what they call liberal environmental and anti-military messages?

Is Cameron actually exposing the historical evils of white colonizers? Does the existence of an alien species expose the reality that all humans are actually one race?

"Can't people just enjoy movies any more?" a person named Michelle posted on the Web site for Essence, the magazine for black women, which had 371 comments on a story debating the issue.

Although the "Avatar" debate springs from Hollywood's historical difficulties with race, Will Smith recently saved the planet in "I Am Legend," and Denzel Washington appears ready to do the same in the forthcoming "Book of Eli."

Bogle, the film historian, said that he was glad Cameron made the film and that it made people think about race.

"Maybe there is something he does want to say and put across" about race, Bogle said. "Maybe if he had a black hero in there, that point would have been even stronger."

___

Jesse Washington covers race and ethnicity for The Associated Press.


UPDATE (FRIDAY, JANUARY 22ND, 2010):

The following is a thoughtful DECONSTRUCTION and analysis using CRITICAL THINKING around RACE in regard to Avatar paralleled with the racist history of the United States.

Well, well done! The truths here cannot be refuted!!




Black Iraqis Claim Discrimination
A News Report (Jan 11th, 2010)

Black Iraqis in the southern province of Basra are complaining of discrimination, saying they are not fairly represented in the state.

African Iraqis have lived in the country for centuries and now number more than one million.

Many of them are descendants of African slaves brought to Iraq. Many Iraqis still refer to them by their ancestral name, abeed - meaning slaves.

Al Jazeera's Omar Al Saleh reports.




Tuesday, November 17, 2009

CNN Coverage of Our Rally for Heather Ellis
By Your Black World Today

To join the Your Black World Coalition,
please visit www.YourBlackWorld.com



Dr. Boyce Watkins



Hello to my friends,

I wanted to email you during my trip to Kennett, Missouri on behalf of Heather Eliis, the 24-year old college student now facing up to 15 years in prison for cutting in line at Walmart (for more information, please visit TheHeatherEllisCase.com). The rally occurred yesterday and thankfully, it was peaceful. I was concerned about going into this area, since there were quite a few white supremacists groups standing along the march route (they were holding up confederate flags and flags with swastikas on them). I respect their rights to freedom of speech, but my concern was that things might get out of control.


There were snipers on the rooftops and even the former prosecutor of Heather's case, Stephen Sokoloff, stood on the balcony of the courthouse and watched the speeches from above. I'd visited the Lorraine Hotel, where Dr. King was assassinated, just the day before, and that provided courage and inspiration as we marched forward.

There was a standoff with police and the city attorney's office over whether or not our permit was valid. This led to some yelling back and forth between Heather's father and the officers, but I simply sat quietly during the entire process, since we'd won the battle before it even began. After the yelling stopped, our outstanding legal team simply informed the officers that we had legal grounds to hold our march with the specified permit. The officers (joined by the city attorney) had a three minute meeting and then came back to inform us that we would be allowed to march as we'd specified. This is a reminder that education is one of the greatest weapons you can have when defending your civil rights - it is best to just walk softly and make sure you carry the bigger intellectual stick.

CNN, Michael Baisden, Rev. Al Sharpton and tons of others were calling in to get updates on the march, and I will have as much footage as possible posted on the website as soon as we can. However, the real battle begins on Wednesday, when Heather's trial starts - so this is just the beginning. Personally, I don't intend on seeing this young woman go to prison, and I ask all my friends to bring the fire of heaven and hell down on those who choose to destroy this young woman's life over a minor incident such as this. Please visit the website and get involved - you can send letters to Walmart or the Attorney General's Office or donate to the family's legal expenses (there are forms on the website and donation links on the side).

There will be pictures and video footage from the rally on the main website if you'd like to see it. Also, if you can please sign our petition for the Attorney General (on the right hand side of the website, near the top), we would be grateful. There are some at Syracuse University who don't want me to get involved in issues like this (you'd be amazed at what has happened behind the scenes), but the truth is that when it comes to fighting for my people, there is no room for negotiation.

God bless,

Dr Boyce
www.BoyceWatkins.com

Monday, October 19, 2009

Black Teen Set Afire Now Charged for Earlier Fight


blAck
americaweb.com

Teen Set Afire Now Charged for Earlier Fight

Date: Wednesday, July 15, 2009, 5:23 am
By: Denise Stewart, BlackAmericaWeb.com

A Black Missouri teen, who last month was doused with gasoline and set afire by two white schoolmates, now faces charges himself as he recovers from burns over most of his body.

Walter Currie Jr., a 15-year-old in Poplar Bluff, Mo., was burned on June 13 after an exchange with two teens with whom he reportedly had a previous altercation.

The youth who allegedly doused him with the gasoline and lit the fuel has been charged with assault as a juvenile, Currie’s parents said.

On July 6, several weeks after the incident, authorities gave Currie and his parents notice that he is being charged in connection with another incident where a teen related to the youth who set him afire was hit in the face, said Winonia Currie, Walter’s mother.

“All of a sudden, they decided to charge him with something that happened on June 10, but Walter said he didn’t have anything to do with it,” she said.

Because all of the people involved are juveniles, court officials in Butler County, Missouri said they can give only limited details on the incidents and cannot discuss names.

“I can tell you that there are charges against everyone involved,” Lesi Smith, chief juvenile officer for Butler County, told BlackAmericaWeb.com.

The suspects have not been revealed publicly and could not be reached for this story.

Walter Jr. said the teen who burned him told him he had gasoline and a lighter, and then began to spray him with the fuel before striking the lighter. Walter Jr. ran and jumped on a car, rolling on it to try to stop the burning. He even shed some of his clothing.

Initially, the youth suspected of burning Walter Jr. was arrested and was being held in a juvenile detention facility. He has since been released, according to sources familiar with the case.

The Curries say they want to see justice for their son. They want the 16-year-old to face stiff penalties.

“I want him to serve some time,” Walter Currie Sr. told BlackAmericaWeb.com.

Winonia Currie said her son is scheduled for a hearing on Aug. 5 at 1 p.m. and the teen that set her son afire is scheduled on the same day, in the same courtroom, at 2:30 p.m.

The Curries say they have only lived a couple of years in Poplar Bluff, a town about 125 miles south of St. Louis, Mo.

“It’s like a country city,” Winonia Currie said.

Though the family has received words of encouragement from black and white residents, Mrs. Currie said she questions whether everyone will get just treatment.

“The prosecutors have told us they will do everything they can to try him as an adult, but we’re getting very little information,” she said.

The charges for Walter Jr. bring additional hardships for the family.

“We’ve had all these medical bills. The insurance will only cover so much. We have to take him back and forth to the hospital in St Louis,” she said. “Now we have to try to find a lawyer. That’s more money.”

Doctors have told the Curries that it may be two years before their son’s burns are completely healed. He suffered burns on much of his body, including his face, chest, neck and arms.

“The physical wounds are healing, but we still have to deal with the mental stability,” Mrs. Currie said.

The incident has taken a devastating toll on the Walter Jr. and the family, said Tierra Shaffer, Walter’s older sister via email. “He has nightmares of being burned alive,” she said.

Saturday, October 17, 2009

Mos Def and Dr. Cornell West on
HBO's Real Time with Bill Maher




You know... I agree with some of the things that Mos Def said on this particular Real Time with Bill Maher show. I'm in total alignment with him when he said (summary paraphrase) "I'm from the projects. I know DANGER.... someone from the projects ain't worried about that boogeyman shit." I definitely feel that way and further, everytime I get on a New York City Transit train I wanna scream when I hear the message "...protect yourself. If you see suspicious activity on the train or platform edge, do not keep it to yourself". I mean YO, IT'S A FUCKING JOKE THAT 8 FREAKIN' YEARS LATER (ALMOST A DECADE NOW) WE ARE STILL ON WITH THIS BROKEN RECORD (PROPAGANDA OF FEAR MESSAGES) BY SAYING THIS SHIT! I think people are capable of articulating if there's a potential danger without having a propaganda message reminder constantly. And then it end with NOT "...have a nice day" BUT "...have a SAFE day". Like Mos Def said, if someone is going to get you, then they're going to get you. Ain't no one going to make no damn video tape of what they're going to do to you. Now I'm not proposing that there aren't real threats out there, but at the same time I'm a Black man living under a FUCKING potential and very real siege everyday. It is more likely that I'll have a run in with a white racist police officer and possibly shot and killed than in my honest opinion, then a blown up building or other activity by terrorists. The NYPD as Mos Def said are hired terrorists of the state.

As much as I LOVE most of Bill Maher's views he's totally off base by saying in the very beginning of this clip that racist police officers (that Mos Def was alluding to without having to say it) and terrorists are apples and oranges. Terrorism is terrorism, and the scale in which they happen doesn't minimize who it is happening to. But Bill is a white man and his reality is always going to be different than that of a African peoples living in Amerikkka. It's really just that simply.

And as Mos Def so aptly mentioned, we NEVER question what terrorists motivations are. I've always said that 9/11 didn't just happen out of thin air. What did the United States do COVERTLY to FUCK with another nation to the point hat they'd plan and pitch a large scale terror attack on the U.S. - And this is the discussion that never happens.

And, oh yeah, THE ELECTORAL COLLEGE HAS GOT TO GO!!

Sunday, September 20, 2009

"Besouro" (Beetle) (2009)
An Afro-Brazilian Film Set in 1920s Bahia
About Legendary Brazilian Capoeira Fighter Besouro Mangangá



Official Website: besouroofilme.com.br/


One Version of the Besouro Poster



Hey AFRICAN FAM,


A friend of mine dropped this film to me via email which looks like a little jewel with a big heart about the African Diaspora and I wanted to share this with y'all! I'm hoping Besouro (Beetle) comes to the States. Because I live in New York City the chances of us New Yorkers seeing it is much greater. I really want to see this film. One of the videos below is the theatrical trailer and the other video is a sneak peek of more footage from the film and a behind-the-scenes look of the choreography. As a budding filmmaker the fight choreography sequences with the camera movements were particularly gratifying to watch!! Whhuuuuhhhhhooo! LOL!

ROD (aka BIG ROD)




Synopsis/Background Info:
One of the biggest productions in the history of Brazilian cinema, Besouro (Beetle) is a film about the life of legendary Brazilian Capoeira fighter Besouro Mangangá from Bahia in search of his mission.




Besouro is confirmed for a theatrical release in Brazil in October 2009 with international launches to follow. Directed by João Daniel Tikhomiroff, Besouro is an action movie set in 1920s Bahia, the story of a legendary Capoeira fighter who uses the power of Candomble (an Afro-Brazilian religion) to fight the harsh conditions which, even post-abolition, the African population endured in Brazil. With action director Huan-Chiu Ku (Kill Bill; The Matrix; Crouching Tiger, Hidden Dragon) the film promises spectacular stunt sequences and a soundtrack featuring Gilberto Gil, Naná Vasconcelos, Rica Amabis, Tejo and Naçao Zumbi’s Pupillo.




Besouro (Beetle) - Theatrical Trailer (2:26)




Besouro (Beetle)
Film Footage And A Behind-The-Scenes Look (4:02)



UPDATE (Saturday, July 2nd, 2011):


I just found out this week that Besouro is now released on DVD through an independent company called Ikano Filem Sdn. I got my copy from Amazon.com



Now I should point out that the Besouro DVD has been in and out of stock and that there are different versions of the film. I have the Besouro [2010, Brazil] [Official Slipcase Edition] which Amazon had 5 in stock at the time that I ordered. I went back a day later, and saw that only 1 was in stock. Since then it's hit or miss if Amazon has it. If you SEE IT, BUY IT!

There' also the
Besouro [Import] (2010) version. I don't know and can't verify if the later version has the special features or not, or if the quality of the disc transfer is the same as the slipcase version that I have. Keep checking Amazon, or check your own DVD merchant resources.

The running time of the film is 94 minutes. The special features of the disc consists of Making of, Art Direction, Direction of Photography, Behind-the-Scenes, Action Choreography and Sound Editing.

Because I've been busy with editing some dance theater pictures and attending the International African Arts Festival, I haven't had a chance to watch the film except for the first minute, and the quality of the transfer looks good. I'm chomping at the bit to watch the whole film, and will report back on the film's quality and the special feature extras.


UPDATE (Sunday, July 10th, 2011):

Finally got a chance to sit down and watch the whole film and it's DOPE! The film print transfer is really nice and zero problems with the disc
. NOW GO OUT AND GET IT!...


UPDATE (Wednesday, July 13th, 2011):

Short story...

After waiting over 2 YEARS for someone to exhibition the film in New York City, I finally got to see a film screening exhibition of a 35mm print of the film at the Museum of the Moving Image in Astoria, Queens, NYC 3 months ago on Sunday, April 17th, 2011. The theater was medium sized and was packed. It was so packed that they had to call the museum crew in to physically bring in addition seats and place them at the back of the theater to accommodate people Including me! LOL!).

The crowd cheered and roared and moaned at different points in the film. I really felt like a little kid seeing this film. Even though this film ould be considered a low budget movie by Hollywood standards, it's HEART, I THINK, is bigger than some of these $150-200 million dollar block/boom-bust-busters. A came away with a feeling I will rarely get to experience in my entire lifetime as a movie-goer of African descent. Why do I say that? Well, because I saw a group of people with skin complexions on screen that looked liked me, the protagonist/hero who reflected my aspirations/fears/mistakes/truths like me, and a film devoid of eurocentrity and so full of African affirmations that I just won't see from a major Hollywood film. I was so charged and pumped up after leaving the theater. It's hard to ever remember feeling like that from a personal Africnetric perspective.

Besouro is such an Africentric affirming film on soooooooooo many level. Depending on your perspective one may like the action/martial arts aspect of it incorporating the art of Capoeira, or perhaps root for the independence of a struggling Afro-Brazilian people from slavery in 1920s Bahia with the hope and leadership of the Besouro character (which is based on a real person and Capeiora fighter called Besouro Mangangá), or you may relate to the infusion of the African Orishas such as Exu, Ogum, Ossain and, Oxun, or you may vibe with the religious undertones of Candomblé and the overall mysticism of the film. Take your pick as I love the layering of all these elements in this film... And the extras of the DVD was awesome. Only got through one of them so far, and it was amazing!!

For me one of the best films in a long while... just different and un-American and non-formulaic in it's story-telling approach.
NOW GO OUT AND GET IT ON DVD! AND, IF YOU CAN SEE A FILM SCREENING SOMEONE, (WHETHER YOU HAVE THE DVD OR NOT), IT'S WORTH SEEING ON THE BIG SCREEN FOR MAXIMUM IMPACT!!!





Besouro and African Orisha Exu




Besouro Fighting Quero-Quero




African Orisha Oxun (Oshun / Ochun)




Orisha Exu and Besouro




Noca de Antônia, The Racist Overlord




Besouro




African Orisha Exu





Besouro and Dinorá

Wednesday, July 29, 2009

African-American Actor Jeffrey Wright
Commentary: Obama, Race and My Arrest


CNNPolitics.com

Commentary: Obama, Race and My Arrest
updated 11:18a.m. EDT, Fri July 24, 2009

By Jeffrey Wright
Special to CNN

Editor's note: Jeffrey Wright is a stage and screen actor who has won a Tony, Emmy and Golden Globe. Wright has appeared in "Angels in America," "Basquiat," "The Manchurian Candidate," "Syriana," "W." and "Casino Royale."

Actor Jeffrey Wright says a nation that put a man on the moon should be able to take race out of policing.

Actor Jeffrey Wright says a nation that put a man on the moon
should be able to take race out of policing.


NEW YORK (CNN) -- President Obama expressed what many Americans feel regarding the recent arrest of Harvard professor Henry Louis "Skip" Gates -- that the Cambridge, Massachusetts, police responded "stupidly."

Obama is catching some flak for that, but I applaud him for having had the courage to speak his heart and mind.

I wonder if the president himself has ever experienced the blunt end of racial profiling, or if he personally knows of anyone other than Professor Gates who has. Among African-American males in this country, the small minority is those who have not or do not.

Did some prior experience or knowledge inform his response about the Gates incident? I have no facts to back this up, but, to me, it seemed personal. If it was, I understand.

I was arrested last July in Shreveport, Louisiana, outside a bar where dozens of members of the cast and crew of the movie "W." and I had gathered to celebrate the end of filming. There was no bar brawl as widely reported -- nor even a pre-election political argument.

Nine police cars and a fire engine responded; seven people were arrested. Two of the seven suffered minor head wounds at the hands of the Shreveport police. Josh Brolin and I were pepper sprayed by cops, and while face down in the street, I was made to feel the business end of a Taser.

The truth of what led to the whole morass has never been accurately reported. I was asked to leave the bar by a white female bartender who took exception to a comment I made.

As with Professor Gates, the police in my case backed unquestioningly the suspicion of a white woman that the black man she accused must be guilty of something. Once that die of accusation was cast, a ghost of racial bias, misperception, and the potential abuse of police authority was set free to make mischief.

The bar was one of two places in downtown Shreveport that serves food after 10 p.m. A few nights before my arrest, I had gone there very late after work to grab a bite to eat. It was before closing, and there were a few customers and employees inside, but the door was locked. I knocked and asked, over the music streaming from inside, if I might buy a small pizza. The bartender insisted that they were closed.

"Whatever," I said with a shrug of resignation and walked back to my hotel room.

Four nights later and in a festive mood, we gathered at this same establishment. Upon seeing the bartender who had a few nights before told me that the place was closed, I asked her for a drink, which she poured. I quipped, "Ah you're going to serve me tonight!"

At that, she pulled the drink away and told me that I had to leave. I asked if she was kidding. She went on to say that if I didn't leave, she would call the police. As I stepped away to tell friends what had happened, a call was made to Shreveport police.

Two cops, the first of many, arrived in minutes, and I was physically escorted outside although neither of them had the curiosity to ask what had transpired before they arrived. A mess ensued.

To their credit, Josh and the others arrested followed me outside with a few others from our group. The cops physically released me and were seeming to be ready to let me go altogether when, out of the corner of my eye, I saw another member of the film crew driven headlong into the sidewalk by two newly arrived cops.

Josh verbally objected to their actions, at which point a cop said to him, "You too!" I moved Josh away from the fray and held him. We were then pepper sprayed to separate us, after which Josh knelt in submission and was handcuffed.

Disoriented and blinded by the pepper spray, I remained standing until I was kicked in the knee and forced to the ground. I did not completely relax one of my arms as it was twisted behind me, so I was tasered in the back of my ribs repeatedly, eventually handcuffed, left to lie in the street for several minutes, then arrested and hauled off to jail, and charged with impeding police. The six others were similarly charged -- and it all began with a joke.

Nearly six months later, after a good-size storm kicked up in Shreveport over the incident, prosecutors agreed to drop the charges against all of us arrested that night.

New Year's Day 2009 and the same week in which charges were dropped against us, in Oakland, California, Oscar Grant, a young father, was killed in a BART station, surrounded by cops and in the same position as I found myself down in Shreveport. It seems the BART cop may have pulled the trigger of his firearm thinking that it was his Taser.

Shreveport Mayor Cedric Glover is known as a law-and-order mayor. The day after the encounter, in the presence of his police chief, Glover apologized to me and privately acknowledged that while most Shreveport's cops were good, there were some "devils" among them.

In public meetings regarding the "W." incident, however, he held fast that the responding officers acted appropriately. Either Glover's public statement was dead wrong, or the joke was on us.

Of course, public officials, particularly at the local level, are loathe to criticize law enforcement officers. On a certain level, it's understandable. Cops answer a noble and difficult calling. The pressure must be relentless, and I imagine a cop is largely underappreciated by most except those with whom he or she serves.

A political pat on the back from the executive in charge must be a comforting thing in controversial times, and politicians prefer to duck behind the political safety of the blue wall of silence than upset the men and women who, like our nation's troops, are charged with placing themselves every day in harm's way to keep us safe.

When he was mayor of New York, Rudy Giuliani encamped himself behind that blue wall. After Amadou Diallo, living out the All-American, hard-working immigrant story, was brutally shot down on the steps of his Bronx apartment building, Giuliani refused to question the actions of the cops who fired 41 bullets in killing the unarmed young man.

Is a politician's unwavering fidelity to law enforcement officers the best approach, or does it promote a police culture of impunity and retard progress on law enforcement issues?

What if after the Diallo tragedy, political leadership in New York inspired the passage of serious legislation to keep in check the presumption of criminality that cops so often direct toward young men of color. What if that had led to similar acts nationwide around these issues?

Gates might not be headline news today; Grant might not have died; and New York police Officer Omar Edwards, an African-American undercover officer shot down two months ago by a white fellow officer while chasing a suspect through a Harlem street, might be alive today to toss a football again with his son. iReport.com: "Shame" on Gates

I'm not presuming to blame Giuliani alone for what has become a systemic problem in our country -- that would be absurd, these issues predate him -- but when political leaders in this country express compassion only for those for whom they perceive it to be politically expedient or fail to challenge law enforcement and incarceration issues that cut to the core of the history and culture of race in America, they fail us all. They exemplify what U.S. Attorney General Eric Holder meant when he spoke of the cowardice with which we as a society approach race dialogue in this country.

These are messy, even bloody issues, but the cost of not addressing them is too draining of our societal health. Among other things it fosters a society in which too many young Americans internalize the aura of criminality that's projected onto them and handcuff themselves to self-imposed limitations that stifle us all.

Going to prison rather than to college becomes a rite of passage. They wear their pants below their behinds in solidarity with their friends, brothers, uncles or fathers who aren't allowed belts while incarcerated, though perhaps the low-hanging pants are a defiant gesture to society at large for continually presuming them to be miscreant.

This past week the Apollo 11 crew was at the White House welcomed by the president of a new generation of dreamers. Our great nation put a man on the moon, but it can't train its cops to distinguish between an ordinary brown-skinned brother and a criminal. At its least injurious, as with Gates and myself, this leads to bruised pride and reputation; at its worst, Grant or Edwards gets killed.

President Kennedy famously said, "We choose to go the moon ... and do the other things not because they are easy, but because they are hard." Maybe properly educating, screening and training our nation's police is one of "the other things." My son is 7 years old. May our generation have accomplished this other thing before he's a young man, and before we've sent a man to Mars.

The challenge is one that many Americans are willing to accept -- one, that for the sake of our children, all Americans should be unwilling to postpone.

The opinions expressed in this commentary are solely those of Jeffrey Wright.

Monday, July 20, 2009

Bob Law's Seafood Cafe Needs Your Help
(BLACK OWNED BUSINESS)



As you know gentrification is sweeping through Black communities rapidly displacing Black cultural traditions, businesses, and institutions. The Wall Street Journal reports that as whites move back into the city "Beloved institutions in traditionally Black communities are losing customers who supported them for decades" The Prospect Heights section of Brooklyn is going through the same process, while long time residents and business owners watch what back in 2004 New York magazine called the Manhattanization of Brooklyn.

In Prospect Heights Bob Law stepped up to make sure that long time residents, most of whom are Black, are organized and included in the decision making that is changing the nature and character of their community.

This effort has angered new residents who felt they had a free hand to do as they please, assuming that whatever they did was in the best interest of all To retaliate against Bob, a whisper campaign has begun to charge Bob with being too Black, and to discourage people from eating at Bob's Seafood Cafe on Vanderbilt Avenue.


To offset this anti-Bob law campaign were asking friends and supporters to make a point to eat at Bob Law's Seafood Cafe. In this political climate your support is of great value, Hope to see you at the Cafe. The National Leadership Alliance and Friends Of Bob Law

P.S. > The address is 637 Vanderbilt Avenue (between Prospect Place and St. Marks Avenue) in Prospect Heights, Brooklyn. Major trains stop in the area.