~ AN AFROCENTRIC GATEKEEPERS PALACE FOR INFORMATION ~


Otta Benga, Formerly Enslaved
The Epitome of a Nubian Knight

Otta Benga, Formerly Enslaved<br>The Epitome of a Nubian Knight

Followers of Nubian Knights Network
"Thanks For The Support Everybody!!!"

QUOTATIONS OF "BLACK"

"Whenever I use BLACK it relates to some history of Africans in that particular place. It’s the idea of the color BLACK as a metaphor, or as a representation of African-Americans. It’s the notion of BLACK- BLACKNESS - and all its other meanings in relation to the history of race..."

- Fred Wilson



"Most of my fortitude to continue doing the work comes from the moral outrage I feel about the injustices that Black people endure disproportionately daily."

- N. Abdul-Wakil



"In the end, what matters is not skin shade but pan-African consciousness. Loving your complexion, your nose, lips, hair length and texture, no matter what the politics or trends decide, and simply be. That's the problem with us (African folks). We're still learning how to love ourselves. So used to glorifying others and putting others first..."

- Dredlocks Tree

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)
Click The Pic To Access The Film Library Database! (166 Films)
LAST UPDATE: Monday, December 3rd, 2012

Thursday, August 13, 2009

NYU Film Studies:
"Sound Production For Film & Video"
ROD's Class & Sound Team (August 2009)

Hey Y'all,

I figured I'd share some of the pics I took in my Sound Production for Film and Video class. These pics are from the last day on Thursday, August 6th, 2009. With the exception of two pics that I'm in, I took all the pics you see here.



THE SOUND RECORDING TEAM aka "RAA" Team (left to right):
Aaron, ME (BIG ROD) and Arturo



The first thing we did as a team is check all the equipment to see if everything works BEFORE checking the equipment out. We are responsible for the equipment if anything is broken, so a spot check is a must before leaving the NYU equipment lab.

To prepare our recordings as a team we checked the levels of the Shure FP33 3-Channel Stereo Mixer using its built-in 1kHz tone generator and then balanced it against the Fostex FR-2 Field Memory Recorder.

Aaron was responsible for the Shure mixer, I (ROD) was responsible for the Fostex field recorder and Arturo generated the sounds we needed to record. Because Aaron and I were operating the equipment, we had to work closely together to make sure the sounds were being recorded properly so they're not too low or too high where the sound is clipping (distorting).



All The Sound Recording Equipment That We Checked Out.
I Had The Fostex FR-2 Field Recorder (not pictured)





Aaron Recording Auturo's Mouse Clicks and Keyboard Sounds




We Recorded The Elevator "Pings"
and The Door Opening and Closing





We Were Recording The Dial Tone From The Phone's Handset




Arturo With The Phone




Aaron Checking The Mixer's Sound Levels
In order To Pick Up The Cell Phone's Vibrate Sound




Arturo Using His Apple iPhone To Call My Cell Phone
So We Can Record My Phone's Ring Tone




Prepping a Recording




Aaron Holding The Shotgun Microphone At A Optimum Distance
To Record My Cell Phone's Ring Tone





Aaron Wrapping Up An XLR Cable




Our Instructor, Sam Skaf, Who Was Mad Qool And Funny As Hell!
He's Sitting At The Desk Preparing A Class Lesson.
The Fostex FR-2 Field Recorder (lower right corner of picture)




Sam And His Studio Monitor Speakers In The Classroom




I Took A Picture Of The Splash Screen Of Pro Tools LE 8.
I Thought It Looked Qool!




This Is a Waveform Timeline Of A "WAV" File In Pro Tools LE 8




One Last Look At Da "RAA" Team!
"RAA" Stands For "Rod, Aaron, Arturo"
Adios Amigos...

CACTUS Wireless Shutter Release Accessory
For My Nikon D200 DSLR Camera





Hey Y'all,

I wanted to share a new toy that I received today. My new toy is the CATCUS Wireless Shutter Release accessory that I'm using in conjunction with my Nikon D200 DSLR camera. I ordered the accessory from an online merchant called Gadget Infinity (parent company is Harvest One Limited) and it was shipped and air mailed directly from Hong Kong, China to me. My order arrived in 14 days. The device is $30.00 bucks and shipping was $5.00 for a total cost of $35.00.

The image above shows the entire contents of the packaging: Everything came secured in a manila bubble wrap envelope. You get the black and green box which contains the wireless RF (radio frequency) transmitter, receiver and the paper instructions on how to adjust the 16 variable channel frequencies available to you. The transmitter and receiver each come with their own respective batteries installed.



The above photo shows a close-up of the transmitter (pictured left) with the antenna pulled out, and the receiver (pictured right) which attaches to the camera. The effective distance of the RF transmissions specification mentioned on the box itself and the Gadget Infinity website kinda conflict. The website says a maximum of area of 15 meters. The side of the box that I have says the effective range is UP TO 30 meters. This tells me to go on the side of caution and that the effective strength (with no problems) of the device is 15 meters and the maximum possible signal distance is 30 meters. Anything between the range of 15 to 30 meters (49 to 98.4 feet - in english units) and the performance will vary.



The transmitter comes with a GP Ultra alkaline battery (type 23AE 12 v) as shown above.



The receiver comes with a lithium battery (type CR2 3V) as shown above. Interestingly, the lithium battery initially comes shrink wrapped in a mylar type plastic (which is already placed in the receiver for you) which I would assume was to preserve and not drain the battery's life by touching the positive and negative contacts of the rest of the device while being stocked. I'm no battery expert but I guess the lithium battery is more sensitive than the alkaline battery in the transmitter which didn't have a plastic wrap covering. The instructions even mention that you have to remove the plastic wrap from the lithium battery. The specifications also mention that the unit can be triggered continuously for 20,000 times. The energy-saving design allows you to use the unit for a year without having to change the battery inside.



The above picture is a close-up of both devices together with their respective frequency channel button selector switches. Both the transmitter and receiver's switches must agree in order for them to work with each other.

As mentioned before, you can set up 16 different channel frequency scenarios. This is most convenient if you are shooting outdoors and there's nearby RF interference; you simply change the transmitter and receiver's frequency and you're good to go. The other and major benefit is if you have multiple cameras set up in a shooting scenario, you can attach more than one receiver and fire off different cameras at different RF frequencies depending upon your goals of the photography project.

Some people might be wondering what is so special about this particular device. Nikon sells wired and wireless shutter devices!! And... so what???!!

Well, the difference is that Nikon does sell wireless shutter release devices, BUT they are INFRARED and NOT RF (RADIO FREQUENCY) devices, and that makes all the difference in the world. For example, digital SLR cameras have something called bulb mode. Bulb mode allows you total manual control over the shutter (shutter speed) and therefore how much light gathers within the sensor for a specific picture exposure. Bulb mode is used extensively for taking pictures of firework displays, for example. Because most firework displays are at night where there is little light in the sky, it's imperative to shoot fireworks with the shutter open in bulb mode at a slightly prolonged interval. The downside to bulb mode is that it can be a big drain on the battery so have extra batteries on hand when using bulb mode.

The problem is that infrared wireless shutter devices cannot work in bulb mode and so you're stuck. They simply fire the shutter. One would have to stand near the camera and manually press the camera's shutter button and hold it down in order to use and maintain bulb mode. This manual procedure is not an option if you're doing something sophisticated where you can't be near the camera.

The CATCUS Wireless (RF) Shutter Release is a great accessory. It allows one to press part-way down on the transmitter button to get an auto-focus on the camera itself, and then one can press all the way down to take a picture. In regard to bulb mode, you press down on the transmitter button fully to move the shutter on the camera and then press the transmitter button again to release the shutter.



The photo above is a test set up in my house when I was first testing the device. I have the camera mounted on my tripod (Gitzo, baby!!), and I'm holding & pressing the transmitter (the green LED light confirms this) in my hand, and the receiver is plugged (hanging) from the 10-pin port of my Nikon D200 and flashes red every few seconds when the receiver is ready-to-go and green when it receives a signal from the transmitter.



One extra step I have taken is to put some velcro on the wireless receiver and on the battery grip of my Nikon D200. Black velcro would be ideal in this instance because the camera's body is black and black velcro would camouflage on the camera better. (I'll get some black velcro from a hardware store soon).



Then I can easily attach the wireless receiver to the camera so that the wireless receiver is not hanging all messy like. And this also prevents zero stress on the receiver's wire cable hanging from the camera's 10-pin port.

I think the $35 duckets is a great price in comparison to Nikon's MC30 Remote Cable Release which goes for $70 duckets!!! And the cord on this device is only 31.5 inches long! And what's worse, I was considering the ultra-expensive Nikon ML-3 Modulite Remote Control Set. This is the infrared device I alluded to before. The ML-3 is useless because it doesn't support bulb mode as I mentioned before, and then add insult to injury, it goes for a whopping $190.00+ duckets! Shiiiiit! I could exchange my zenny from a Capcom video game and still not be able to pay for this damn expensive device! LOL!

Anyway, CATCUS makes different wireless shutter release devices to suit major camera companies like Canon, Sony and Olympus. You can see Gadget Infinity's product page and order it here: CACTUS Wireless Shutter Release.

If the above link should ever fail while you're reading this, just go to http://www.gadgetinfinity.com and there is a search field in the upper right hand corner of the page - just type in "wireless shutter release".

If you're interested in taking pictures of fireworks using bulb mode and want to know the step-by-step method of doing so then check out these links here and here.


A Self-Portrait of Myself Chillin'
Using the Catcus Wireless (RF) Shutter Release



Have FUN Y'all! You know I will! LOL!

ROD (aka BIG ROD)

Saturday, August 1, 2009

I LOVE THESE ADS!
GOSH, THEY ARE SO
SAME GENDER LOVING AFFIRMING

I just absolutely love these ads. They are so adorable, sensual and same gender loving. I wish I had seen these kinds of ads growing up in the 1970s and 1980s. It would have done so much for my self-esteem and confidence as I grew up struggling with my own sexuality.

Beautiful ads!





I have to quote Kenyon Farrow, a friend, who said it best "This is the way to do social marketing for HIV prevention for Black and Latino Gay men. My friends at the Institute for Gay Men’s Health at GMHC continue to break the mold in terms of how to do
effective, interesting, and NON-STIGMATIZING HIV prevention."

_____________________




This "I AM GAY: AND THIS IS WHERE I PLAY" ad was absolutely brilliant and groundbreaking to me. I can identify with the sports element in this ad as a Black SGL brutha who does play sports. Also, it depicts masculine (all things being relative) bruthaz around the idea of sports play, too. A total connection for me and hopefully others less informed or playing into stereotypes. I have blogged (twice already in July 2009) about my LOVE of sports and how most Black SGL bruthaz in my circle aren't really into sports. And you don't really here about Black SGL men in sports reported on in the mainstream (unless a player retires and reveals himself after the fact to be homosexual - and I have no value judgment on that. It's most certainly a personal decision).

Well, I had the privilege of seeing a huge 80 foot long (I'm guessing) monstrosity (I mean that in a most excellent and grand way) affixed to a building wall at the corner of 125th Street and Lenox Avenue - If you never got to see the ad below in person, can you image it in the middle of the heart of HARLEM, USA?????! It blew my damn mind. YOU READ ME?!!! YOU HEARD?!!! The scale was huge and it was most certainly in your face and totally unavoidable. It no doubt sparked a lot of dialogue. And dialogue is definitely needed in the Black community.

I personally don't identify with the word "gay" at all,
instead I use the self-naming, cultural affirmation and pro-Black term SGL (Same gender loving). You'll see MY use of the term throughout my blog and if we communicate via email or in person. However, this ad caught my total attention as I stopped on the corner, stared at it for many moments and looked around to see if anyone saw me looking at it. LOL!
There hasn't been anything bold like this since I saw the controversial (wording) "I Know My Son Messes Around With Other Men..." ad back in the late 1990s on the inside of the trains themselves. Phenomenal! Dat's wassup!

INTERNALIZED HOMOPHOBIA!!!
Why Does Homosexual Porn
And SGL Lifestyle Magazines Need
A "Sexual Orientation" Disclaimer?



Is it just me or does anyone get bent out of shape in regard to the (above picture) "sexual acts" disclaimer (pictured above) at the beginning of porn video credits???!! I know some people may laugh at me for getting bent out of shape about a disclaimer on porn (despite it's overall artistic endeavors and impact on the world being low on the totem pole). However, there is something to be said about the psychology of this kind of thinking and propaganda and one's self-worth to even address this on a video.

Although this particular disclaimer above is from the Rocky Ruiz porn video, I've seen this type of disclaimer in a number of homosexual porn videos as well as same gender loving (SGL) lifestyle magazines like PULSE, CLIK and Bleu (see the fine print).


I mean, why do these companies need to say that? Do heterosexual porn videos or general (non-homosexual) lifestyle magazines out there state a similar disclaimer? Well, NO, not that I've ever seen. To me this speaks of internalized-homophobia: the idea of being featured in a homosexual porn video or a respectable and excellent lifestyle magazine, yet claiming a loophole that some of the actors, stars or models may not have a homosexual orientation because they're featured in a homosexual product. This is NOT needed!! It's like being apologetic for someone featured in a magazine who might be misconstrued as being homosexual because the target audience is Black or Latino same gender loving folks. Come on... Actors are actor! Stars are stars! Models are models! As long as the viewer's fantasy is fulfilled in a video, or a magazine model's picture compliments the words of a particular feature article(s), then that is all that matters.

I don't wonder or muse through a video or magazine on whether a brutha is hetero or homo. I sometimes think to myself in some cases that "Wow! He looks mad cute" or "Man! He's a hottie" and then I move on because I don't know these bruthaz.


I've had this discussion with other bruthaz in my circle and basically I get a body language shug of "So what?" or no response as it's not important to them.
I told one of my mentors that I'm going to publish it here on the Nubian Knights Network, and his question was "Do you actually read the credits during a porn video?" I didn't say this to him (my mentor), but I do like to read credits only for the productions dates of the video to see how recent the video is otherwise I don't read anything else except the starring people. It just so happens that I've been catching these disclaimers in a number of videos and remember seeing it in PULSE magazine, too. And YES, I do proudly claim that I do sit through and read the credits of Indy and Hollywood films at the end of a film in the movie theater, and also watch the credits through and through for home viewing. Going all the way back to when I was a kid, I've always taken the artistry of filmmaking (not porn) seriously and I like to see the credits of the hundreds of folks it takes to put a film production together. I guess, hence me persuing the dream as a filmmaker myself. So sue me!



Click The Above Image To See
The Yellow Hi-lited Fine Print

On The Ridiculous Sexual Orientation Disclaimer


Again, maybe it's just me, but I wanted to get this off my chest. I just think it's stupid and ridiculous and speaks to one of the myriad of problems in the Black (and Latino) SGL community regarding our (non) comfortability with our fluid sexuality and the emasculation and woundedness of the Black male which goes all the way back 400+ years to our powerlessness during slavery and the middle passage.



Thursday, July 30, 2009

HOT SUMMER NIGHTS
Coney Island Boardwalk Summer Music Series
South Brookyn, New York City


Hey Black Family,

I typically DON'T promote PARTIES and club & bar scene stuff as I feel there are soooooooo many folks out there promoting and cross-promoting these things. And quite frankly, a lot of these party events are economically incentive driven and... I'm NOT getting PAID to promote da shit!!

I do what I do out of passion and LOVE, and seeing my MOM lead the civil rights crusade by example; it's quite humbling when your Mom asks you (a 14 year old kid) to assist her at the Mandala Center (in Harlem back in the day, 1980s) to help feed the homeless; and because there's not enough socio-political news and pro-action happening in regard to the African Diaspora; and certainly not enough critical analysis/thinking out there of our circumstances. Plus the little guy is constantly getting his neck and head stepped on on a daily basis and doesn't get SELECTED to make the major news... because Black lives don't matter in some people's minds!!

Anyway, I will say that I went out to the Coney Island Boardwalk Summer Music Series last year for the first time and had a great time. There was truly great house music, it didn't cost anything, and it was especially warming to me because it is in my 'hood of Coney Island, south Brooklyn where I have grown up all my life. If you check out my Nubian Knights Network YahooGroup with all the stuff I have published over the years since 2002, you'll see that I'm making a truly rare exception here. LOL!

Anyway, come down to my neighborhood and have some FUN!

Coney Island Boardwalk
10th Street Gazebo Behind The Cyclone
3PM to 11PM
FREE PARTY
themeltingpotnyc.com

DIRECTION: D, F, N, or Q trains to Coeny Ilsand/Stillwell Avenue

(last stop on any of those trains)

Wednesday, July 29, 2009

ROD's DVD and Blu-ray Disc Home Movies Queue
My Black Same Gender Loving Films and
My Myriad Mix of General TV Shows and Films

Hey Black Family,

I figured I'd share something FUN and personal about myself that I do in some of my spare time.

The pic below is a bunch of Black (and Asian, Latino) same gender loving DVDs that I haven't watched yet. Some of them I discovered through film festivals, watching a film or two at friends' homes or through my research from putting together the 30+ page REEL Black Same Gender Loving Filmography Resource with 130+ listings!!! And by the way, if you want a Adoe Acrobat "PDF" of the REEL Black Same Gender Loving Filmography Resource just email me at BIG.ROD02[at]GMAIL.COM and I'll be glad to email it to you.

Anyway, this
depicts my SGL movie collection thtI haven't watched yet.

ROD's Black (and Asian and Latino) SGL Films
Queue
#1
(Click Da Pic To Enlarge)



The pic below is a bunch of different genre tv shows and films I haven't watched yet either except for The Fall on Blu-ray Disc (I haven't listened to the audio commentary yet). Between the above pic and this one below, you have an idea of what kind of tv shows and films I vibe with.

A Myriad of TV Shows and Feature Films From Different Genres
Queue #2
(Click Da Pic To Enlarge)

So... just sharing!

ROD

African-American Actor Jeffrey Wright
Commentary: Obama, Race and My Arrest


CNNPolitics.com

Commentary: Obama, Race and My Arrest
updated 11:18a.m. EDT, Fri July 24, 2009

By Jeffrey Wright
Special to CNN

Editor's note: Jeffrey Wright is a stage and screen actor who has won a Tony, Emmy and Golden Globe. Wright has appeared in "Angels in America," "Basquiat," "The Manchurian Candidate," "Syriana," "W." and "Casino Royale."

Actor Jeffrey Wright says a nation that put a man on the moon should be able to take race out of policing.

Actor Jeffrey Wright says a nation that put a man on the moon
should be able to take race out of policing.


NEW YORK (CNN) -- President Obama expressed what many Americans feel regarding the recent arrest of Harvard professor Henry Louis "Skip" Gates -- that the Cambridge, Massachusetts, police responded "stupidly."

Obama is catching some flak for that, but I applaud him for having had the courage to speak his heart and mind.

I wonder if the president himself has ever experienced the blunt end of racial profiling, or if he personally knows of anyone other than Professor Gates who has. Among African-American males in this country, the small minority is those who have not or do not.

Did some prior experience or knowledge inform his response about the Gates incident? I have no facts to back this up, but, to me, it seemed personal. If it was, I understand.

I was arrested last July in Shreveport, Louisiana, outside a bar where dozens of members of the cast and crew of the movie "W." and I had gathered to celebrate the end of filming. There was no bar brawl as widely reported -- nor even a pre-election political argument.

Nine police cars and a fire engine responded; seven people were arrested. Two of the seven suffered minor head wounds at the hands of the Shreveport police. Josh Brolin and I were pepper sprayed by cops, and while face down in the street, I was made to feel the business end of a Taser.

The truth of what led to the whole morass has never been accurately reported. I was asked to leave the bar by a white female bartender who took exception to a comment I made.

As with Professor Gates, the police in my case backed unquestioningly the suspicion of a white woman that the black man she accused must be guilty of something. Once that die of accusation was cast, a ghost of racial bias, misperception, and the potential abuse of police authority was set free to make mischief.

The bar was one of two places in downtown Shreveport that serves food after 10 p.m. A few nights before my arrest, I had gone there very late after work to grab a bite to eat. It was before closing, and there were a few customers and employees inside, but the door was locked. I knocked and asked, over the music streaming from inside, if I might buy a small pizza. The bartender insisted that they were closed.

"Whatever," I said with a shrug of resignation and walked back to my hotel room.

Four nights later and in a festive mood, we gathered at this same establishment. Upon seeing the bartender who had a few nights before told me that the place was closed, I asked her for a drink, which she poured. I quipped, "Ah you're going to serve me tonight!"

At that, she pulled the drink away and told me that I had to leave. I asked if she was kidding. She went on to say that if I didn't leave, she would call the police. As I stepped away to tell friends what had happened, a call was made to Shreveport police.

Two cops, the first of many, arrived in minutes, and I was physically escorted outside although neither of them had the curiosity to ask what had transpired before they arrived. A mess ensued.

To their credit, Josh and the others arrested followed me outside with a few others from our group. The cops physically released me and were seeming to be ready to let me go altogether when, out of the corner of my eye, I saw another member of the film crew driven headlong into the sidewalk by two newly arrived cops.

Josh verbally objected to their actions, at which point a cop said to him, "You too!" I moved Josh away from the fray and held him. We were then pepper sprayed to separate us, after which Josh knelt in submission and was handcuffed.

Disoriented and blinded by the pepper spray, I remained standing until I was kicked in the knee and forced to the ground. I did not completely relax one of my arms as it was twisted behind me, so I was tasered in the back of my ribs repeatedly, eventually handcuffed, left to lie in the street for several minutes, then arrested and hauled off to jail, and charged with impeding police. The six others were similarly charged -- and it all began with a joke.

Nearly six months later, after a good-size storm kicked up in Shreveport over the incident, prosecutors agreed to drop the charges against all of us arrested that night.

New Year's Day 2009 and the same week in which charges were dropped against us, in Oakland, California, Oscar Grant, a young father, was killed in a BART station, surrounded by cops and in the same position as I found myself down in Shreveport. It seems the BART cop may have pulled the trigger of his firearm thinking that it was his Taser.

Shreveport Mayor Cedric Glover is known as a law-and-order mayor. The day after the encounter, in the presence of his police chief, Glover apologized to me and privately acknowledged that while most Shreveport's cops were good, there were some "devils" among them.

In public meetings regarding the "W." incident, however, he held fast that the responding officers acted appropriately. Either Glover's public statement was dead wrong, or the joke was on us.

Of course, public officials, particularly at the local level, are loathe to criticize law enforcement officers. On a certain level, it's understandable. Cops answer a noble and difficult calling. The pressure must be relentless, and I imagine a cop is largely underappreciated by most except those with whom he or she serves.

A political pat on the back from the executive in charge must be a comforting thing in controversial times, and politicians prefer to duck behind the political safety of the blue wall of silence than upset the men and women who, like our nation's troops, are charged with placing themselves every day in harm's way to keep us safe.

When he was mayor of New York, Rudy Giuliani encamped himself behind that blue wall. After Amadou Diallo, living out the All-American, hard-working immigrant story, was brutally shot down on the steps of his Bronx apartment building, Giuliani refused to question the actions of the cops who fired 41 bullets in killing the unarmed young man.

Is a politician's unwavering fidelity to law enforcement officers the best approach, or does it promote a police culture of impunity and retard progress on law enforcement issues?

What if after the Diallo tragedy, political leadership in New York inspired the passage of serious legislation to keep in check the presumption of criminality that cops so often direct toward young men of color. What if that had led to similar acts nationwide around these issues?

Gates might not be headline news today; Grant might not have died; and New York police Officer Omar Edwards, an African-American undercover officer shot down two months ago by a white fellow officer while chasing a suspect through a Harlem street, might be alive today to toss a football again with his son. iReport.com: "Shame" on Gates

I'm not presuming to blame Giuliani alone for what has become a systemic problem in our country -- that would be absurd, these issues predate him -- but when political leaders in this country express compassion only for those for whom they perceive it to be politically expedient or fail to challenge law enforcement and incarceration issues that cut to the core of the history and culture of race in America, they fail us all. They exemplify what U.S. Attorney General Eric Holder meant when he spoke of the cowardice with which we as a society approach race dialogue in this country.

These are messy, even bloody issues, but the cost of not addressing them is too draining of our societal health. Among other things it fosters a society in which too many young Americans internalize the aura of criminality that's projected onto them and handcuff themselves to self-imposed limitations that stifle us all.

Going to prison rather than to college becomes a rite of passage. They wear their pants below their behinds in solidarity with their friends, brothers, uncles or fathers who aren't allowed belts while incarcerated, though perhaps the low-hanging pants are a defiant gesture to society at large for continually presuming them to be miscreant.

This past week the Apollo 11 crew was at the White House welcomed by the president of a new generation of dreamers. Our great nation put a man on the moon, but it can't train its cops to distinguish between an ordinary brown-skinned brother and a criminal. At its least injurious, as with Gates and myself, this leads to bruised pride and reputation; at its worst, Grant or Edwards gets killed.

President Kennedy famously said, "We choose to go the moon ... and do the other things not because they are easy, but because they are hard." Maybe properly educating, screening and training our nation's police is one of "the other things." My son is 7 years old. May our generation have accomplished this other thing before he's a young man, and before we've sent a man to Mars.

The challenge is one that many Americans are willing to accept -- one, that for the sake of our children, all Americans should be unwilling to postpone.

The opinions expressed in this commentary are solely those of Jeffrey Wright.