~ AN AFROCENTRIC GATEKEEPERS PALACE FOR INFORMATION ~


Otta Benga, Formerly Enslaved
The Epitome of a Nubian Knight

Otta Benga, Formerly Enslaved<br>The Epitome of a Nubian Knight

Followers of Nubian Knights Network
"Thanks For The Support Everybody!!!"

QUOTATIONS OF "BLACK"

"Whenever I use BLACK it relates to some history of Africans in that particular place. It’s the idea of the color BLACK as a metaphor, or as a representation of African-Americans. It’s the notion of BLACK- BLACKNESS - and all its other meanings in relation to the history of race..."

- Fred Wilson



"Most of my fortitude to continue doing the work comes from the moral outrage I feel about the injustices that Black people endure disproportionately daily."

- N. Abdul-Wakil



"In the end, what matters is not skin shade but pan-African consciousness. Loving your complexion, your nose, lips, hair length and texture, no matter what the politics or trends decide, and simply be. That's the problem with us (African folks). We're still learning how to love ourselves. So used to glorifying others and putting others first..."

- Dredlocks Tree

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)
Click The Pic To Access The Film Library Database! (166 Films)
LAST UPDATE: Monday, December 3rd, 2012

Monday, May 19, 2014

OKON Underwear
New Black-Owned Fashion Underwear Company Needs Our Support: "LIKE" Them On Facebook and BUY Something!



Through LinkedIn I came across brutha Azi Okon who has his own new fashion underwear business in London, England. We've conversed a bit, and in the spirit of the 4th KWANZAA principle of "Ujamaa (oo-JAH-mah-AH): Cooperative Economics", I wanted to spread the word about his new underwear line which frankly looks HOT (I proudly confess to having a huge fetish for male underwear for eons now! LOL!) Check out the website and support if you can.

The following was an email that Azi sent to me regarding some questions I asked him:

Hello Mr Risbrook,

Thank you for the kind words and compliment, i deeply appreciate it.

I am glad you love my design style, its my debut collection, do let me know which style you desire, i need all purchase support.

(ROD'S QUESTION: So are you a Black-owned company or aka a company of African descent owned?)
- Its African owned

(ROD'S QUESTION: What does "Okon" stand for or mean? Is it African based?)
- It's an ancient African male name.

(ROD'S QUESTION: What sizes do your undies generally run in? I see only small, medium and large. Will you offer extra-large and 2XL???)
- I shall offer all sizes in the following (next series) collection.

(ROD'S QUESTION: What is the inseam length of your undies? They seem more like trunks(?). I preferably like a 6" inseam, but they seem shorter than that.)
- The inseam for the modal boxer is 5.5", and the Mesh boxer is 4.5", its very comfortable plus fits African males perfectly.

(ROD'S QUESTION: Do you ship to the United States? And by what method do you use? And how long for delivery?)
- Yes, I ship to the US by Air, and it takes a maximum of 5 working days.



 


 
- Thank you, the "About Us" section plus everything that makes it warm your heart, comes from my essence. Am glad it touched you as i have more to offer.

Thank you for the LIKE, please make a purchase to support, and if there are any opportunities in NY or anywhere else in the States, to get orders for my brand with its uniqueness for *condom-vaults* on the undies as stated on the "scroll", owing to HIV, please let me know. I need all the support to succeed.

Warm regards from Europe:
Please reply here: info@OkonOnline.com
Azi

http://www.okonunderwear.com/




https://www.facebook.com/pages/OKON-UNDERWEAR/211684862196979


Sunday, May 18, 2014

The DL Chronicles RETURNS - EPISODE: Thomas
World Premiere Begins Streaming
Monday, May 19th, 2014



Thank you for your former support of The DL Chronicles RETURNS.

We would like to apologize for the extremely long delay. The project faced many unexpected setbacks and false starts over the past two years. However, we are happy to announce that those obstacles have been cleared. Perseverance pays off!

On Monday, May 19th.
We will be releasing Episode Thomas to the public.
http://www.vimeo.com/ondemand/dlchronicles


WHERE TO WATCH?

Vimeo is available online and through a variety of broadband devices such as Smart TV's and BluRay Players, as well as Apple TV, ROKU, Google TV, XBox Live, Amazon Fire TV, iPad, iPhone, Android, Windows phone, Samsung TV, Samsung BluRay, Panasonic Viera HDTV and more. So watch the show the way it was intended to be seen... everywhere!

====================================================

2014 DL CHRONICLES PLANS

As dedicated supporters of this project we would like to share with you our plans for 2014.
Due to the fact that this project did not meet it's original funding goal, we were not able to complete the full trilogy. Many of your perks pertain to the completion of the trilogy. We will contact you as the additional promised perks are made available. We are working hard to get you everything promised!

Therefore, we are releasing the first film for streaming rentals online on Vimeo On Demand. The profits collected from rental views will go towards funding the 2nd film; Episode Harvey!

If we can garner over 25,000 rentals, Episode Harvey can begin pre-production! The sooner we can make that goal, the sooner we can begin!

So we need your assistance spreading the word! Tell your friends!


HOW YOU CAN HELP

Please discuss this series with friends and share our link http://www.vimeo.com/ondemand/dlchronicles

Please write a review at Vimeo
Post a video review on Youtube, Vine, Instagram ‪#‎dlchronicles‬ - NO SPOILERS.
Please add us on Facebook http://www.facebook.com/dlchronicles
Please add us on Google+ http://www.google.com/+DLChronicles

Please follow and tweet us on Twitter http://www.twitter.com/thedlchronicles
#dlchronicles

Once again, thank you for your long-suffering and patience!

Kindly,
Quincy & Deondray Gossfield

Friday, February 21, 2014

WE NEED YOU!!! Please Take The African American/Black LGBT Community Survey





Greetings Folks,

Global Network of Black Pride (GN-BP) would like to invite you to take the African American/Black LGBT Community Survey. Participating in this study helps open minds and doors around the world, influences positive changes for our community, and will help provide valuable insights for Black Pride organizations and LGBT media around the U.S.

Everyone who completes this survey by March 8th, 2014 may enter into a drawing to win one of five US $100 cash prizes (or you may elect to have the prize donated to a charity of your choice).

Click here to begin, or copy and paste the following link into your browser: http://survey.communitymarketinginc.com/se.ashx?s=359D342B1FE0DDD5&CMID=CMI

And don't forget to forward the survey link to your LGBT friends, and post to your Facebook, Twitter, Pinterest and LinkedIn accounts! We want to make sure everyone has an opportunity to be counted.

We respect your privacy! Your answers are completely confidential, and will never be used for sales or marketing purposes. The survey should take less than 10 minutes to complete.  


Thank you very much!
Richard & Ulysses
GN-BP Executive Team


--
Richard E. Pelzer II
President & Managing Director
Global Network of Black Pride
1633 Broadway, 30th Floor
New York, NY 10019
Office: 212-537-4069
Cell: 929-841-6541
Richard@GN-BP.com
GN-BP.com (Launching August 2013)
Facebook.com/gnblackpride
Twitter.com/gnblackpride
Pinterest.com/gnblackpride

Wednesday, January 15, 2014

ROD PATRICK RISBROOK Photographic|Imagery
MLK, Jr. Celebration $ALE | 20% OFF
For 6 Days ONLY!!! Use Coupon Code: MLK20



From today, January 15th until midnight on Monday, January 20th, 2014, I am running a continuous 6-day $ALE on everything on my photography website at 20% OFF in celebration of Martin Luther King, Jr.


Choose from traditional photo paper prints with optional choices of metal or wood frames with a mat and museum glass, aluminum and glass prints, specialized standing desk prints, wall canvas prints, hanging wall canvas art, and custom design cups, travel mugs and more. At checkout simply use coupon code MLK20. You must do this at the time of checkout in order to receive the discount! Don't forget! :-)

THANK YOU!
Ujamaa (oo-JAH-mah-AH): Cooperative Economics

__________________________________________________________

Need A Photographer?

ROD PATRICK RISBROOK Photographic|Imagery 
The Performing Arts | Portraits & Headshots | Special Events

http://www.rodpatrickrisbrook.com/












Friday, June 28, 2013

Monday, April 15, 2013

The Kinsey Collection
Where Art and History Intersect
African History & Heritage

               


We strive to live our life guided by two principals: to whom much is given much is required, and a life of no regrets. We are compelled to give back, so we set about to document the African American experience through original documents, manuscripts, photographs, paintings and sculptures.

Our intention is that this work allows people to develop a deeper relationship to the pieces in our collection that bring African American history to life. Having that connection with the past creates this sense of strength, identity and lineage that is so powerful in each of us.

- Bernard and Shirley Kinsey



VIDEO: The Kinsey Collection Introduction





About The Kinsey Collection...

The Bernard and Shirley Kinsey collection contains a wide range of art and artifacts that bear witness to the multilayered intersections of the past and present. From a curatorial perspective, the correlations of seemingly disparate objects and their historical moments are both purposeful and necessary to form a holistic understanding of the Kinsey's mission. In aggregate, these intersections that are sometimes confrontational become a celebration of the diversity of African and African American experience in the world.

Very little is consoling about the artifacts that are contained in the collection. The context of each piece is complex, giving light to the difficulties of being black, and also, illuminating the brilliance, sometimes tragic, of exceptional people whose contributions add enduring force to the often undervalued collective history of a people. 


Buy The Book...

 
Official Website: www.TheKinseyCollection.com

- 
The Kinsey Collection:
Shared Treasures of Bernard and Shirley Kinsey

Where Art and History Intersect


Wednesday, March 13, 2013

A Letter To My Same Gender Loving Ancestors
By Louis "Azucar Negro" Farmer

                                      




A Letter To My Same Gender Loving Ancestors

by Louis "Azucar Negro" Farmer

(A Guest Nubian Knight's Perspective)




I don’t know you, but I feel your presence.

You, my ancestors, the ones who loved the SAME gender.

You, my ancestors, who often were the ones that possessed the ability to communicate with the dead or offer spiritual harmony to family, tribes, villages, the physical and spiritual world. Yet, able to love the same gender with no questions or frowns.

You were respected, revered, considered sacred, admired, sought after, and most of all LOVED by our people.

You were called many spiritual names by others since the beginning of time, before slavery, during slavery and after slavery: sooth sayer, gate keeper, priest, priestesses, sangoma, elder, mambo, iya, babalao, houngan, mambo, santero, ialorixá, babalorixá.

I feel your magic, power, supernatural abilities, love for nature and animals in me.

Thank You!

You, like your other tribe members, were captured by the so called “God Fearing Europeans” and by our very own misguided, greedy and foolish hearted brothers and sisters.

You also had wives, husbands, boyfriends, a mother, a father, siblings, aunts, grandmothers, grandfathers and clans. How did you keep their memories as you were torn away from them, never to see them again?
 

You, my ancestors, loved the same gender before the identities to ‘explain’ who and what we are were given to us. Yes, there was a time before we felt the need to identify as
‘Gay’
‘Queer’
‘Homosexual’
‘Bisexual’
‘Transgender’

Some of these words  make many cringe, while others celebrate being associated with them.

Some have found solace with the various sexual identities, while others have fallen further into an emotional hell because of them.

You must be shaking your heads while seeing many of us follow more of an often constricted, culturally insensitive and manipulated sexual identity  while  wandering aimlessly, spiritless and empty seeking approval and acceptance from others who give less than a damn about us, your children.

You, my ancestors were in the bowels of the slave castles, asking yourself, like the others around you “why?”

Both men and women regardless of sexual orientation were raped at the hands of savages who saw themselves as saviors spreading the word of Christ or Allah.

Many of you fought, more died and countless survived the Middle Passage.

How did you do it? How did you deal with a once alive but now dead body chained to you on the ship headed to the new world, as it rotted and gave a toxic odor in front, behind, above and below you? How did you deal with seeing your brothers and sisters die one by one on a ship bound for the new world? How could you stomach the scraps and moldy food given to you for nourishment while smelling feces, urine, puss, blood, vomit and peeling flesh?
 
How did you my ancestors, handle strange hands touching your body, every crevice being  pulled, tugged, pinched, sometimes burned?

How did you keep faith, or did you lose it?

No, you didn’t lose faith because the Orishas and Loas came with you during this horrible, heinous, and soul wrenching trip. Many African Gods and Goddesses wept with you. And many more spirits sank to the bottom of the ocean with the dead Africans thrown off of the ships, as well as those that chose death over slavery, and jumped to the depths of the ocean to be in the arms of Olokun, Yemaya, Mami Wati, Agwe, La Sirine and many more.

My same gender loving ancestors what was it like to be pulled up from the hull of the ship to a new land? I can only imagine what it was like to see a sea of White smiling faces surrounded by angry, sad, sullen and strong Black faces.

How did you handle being forced to worship a God that looked nothing like you? When the Catholic priests threw ‘holy water’ on you as you marched in a line chained to one another and branded, were you confused? What went through your mind as your  natural beliefs had to stop or be hidden behind Catholic saints?

Were you angry or did you laugh at the idiot slave masters who had no clue that you were indeed establishing another way to preserve OUR Gods and Goddesses?

I have read many slave narratives that many of you left. Often the meanings about same sex relationships were discussed in secret and hushed tones. When you talked of slavery you probably already felt that discussing being a slave was enough, let alone discussing loving the same gender to a Christian White person recording your experiences.

I know that many same gender loving men were forced to fuck, suck and feed their male masters.  Oh the anger I feel for ALL of my people.

I know many of you lived openly in a same gender relationship, living together as a couple. Oh yes, it was documented. Yet, many don’t want to believe it.

How horrendous was it for my female same gender loving sisters alongside with their straight sisters to be treated as cattle, forced to “breed” with and/or marry men.  I know that many of you were raped mentally, sexually and physically just like your non same gender loving people at the hands of overseers, masters, mistresses, owners, slave traders and slave catchers.

But I also know many fought, maimed and sometimes killed those that dared to touch you!

What was it like my same gender loving ancestors if you were deemed effeminate or soft by your master and made to be a house slave? You had to have been upset, hurt and angry. But this is not to say that some of you weren’t field slaves too.

How did you, my more masculine male and female same gender loving ancestors, handle often being a field slave because you were deemed to be a stronger ‘buck’ or ‘wench’, when often your ‘lover’ was in the big house, or even working next to you picking cotton?

Are you upset that so many so called Afro centric speakers and writers today dismiss your existence during slavery, minimize your presence or claim that White people ‘made’ you gay? I can only imagine what it was like for you to hold your head up high as you long to be next to the one you love, while being forced to ‘make babies’ with a stranger and not losing your mind when the children are sold away, abused or even killed.

You were clever my same gender loving ancestors when many of you used the bible to free your people. You were called preacher, prophet, minister and other names. Dispensing advice, solace and encouragement to your flock.

Yet, still a slave.

When you ran away with your boyfriend or girlfriend, holding hands in the dark, avoiding the slave catchers with their barking dogs, how did you know to wrap hot peppers on the bottom of your feet and on your clothes to throw off your scent from the dogs pursuing you?

How did you know how to make the Voodoo bags called gris gris to protect the runaways including yourself from being caught?

How did many of you feel participating in slave rebellions and dying for freedom?
 
My same gender loving ancestors, I have vivid dreams about being a slave. I have visions of being at a camp fire and instructing others what to do as we plot our escape. I have also had dreams of being a slave and sold away as a teenager screaming and begging to stay. I have had dreams of running away for freedom with a blue black muscular man, who loves me with all of his heart, both ready to die for our love and our freedom.

Are you trying to send me a message?

Is it to not……….forget?

I shall not.

I shall not.




Sunday, January 13, 2013

Harlem Pride
PETITION: Harlem Needs A Community Pride Center (New York City)

               
Official Website: HarlemPride.org


Harlem needs A Community PRIDE Center.  There are many reasons why this need is evident:
 

  • Though home to the city’s second largest SGL/LGBT community outside of Brooklyn, Harlem is without a Community PRIDE Center that serves the needs of the diverse Same Gender Loving and Lesbian, Gay, Bisexual, and Transgender community in this area.
  • There is an expressed hesitancy, difficulty or inability of Harlem’s SGL/LGBT community to travel to other Community PRIDE locations.  This is particularly true of the elderly and youth.
  • There already exists a growing sense of PRIDE and opportunity in our community.  A Community PRIDE Center would enable us to tailor programs to the specific needs of our Uptown population.
  • The long-standing history of Harlem’s SGL/LGBT community should not be forgotten, and the contributions of its current residents should be celebrated.
 

Please help Harlem Pride continue to the push to bring Harlem its very own Community Pride Center by signing their newly created online petition. Lending your voice to this effort is absolutely pivotal in making this dream a reality.

PLEASE SIGN OUR PETITION if you feel that it's time for Harlem to have a Community PRIDE Center.  

ALSO, please help spread the word via your social networks.

Thank you,
Harlem Pride, Inc.




About Harlem Pride...
In 2010, Harlem Pride's founders saw an opportunity to celebrate not just our SGL (Same Gender Loving) & LGBT community, but its role and contributions to Harlem's rich history and thus Harlem Pride was born. Our mission is to promote Same Gender Loving & Lesbian, Gay, Bisexual, Transgender pride in Harlem and to provide opportunities for networking and communication among its SGL & LGBT organizations and community members. These opportunities are organized for and on behalf of all Same Gender Loving & Lesbian, Gay, Bisexual, Transgender individuals and groups, and all others who support the struggle for the liberation of these communities. We invite the participation of all, regardless of age, creed, gender, gender identification, HIV status, national origin, physical, mental or developmental ability, race, religion or sexual origin.

The inaugural Harlem Pride Day Celebration was held on W. 119th Street between Lenox and Fifth Avenues, on Saturday, June 26, 2010 and hosted over three-thousand guests. Each year, during the last weekend in June, our pride celebration will consist of a VIP Launch Party on Friday, a Harlem Pride Day Celebration on Saturday, and a Harlem Pride Family Day on Sunday.

Since 2010, Harlem Pride has expanded to include monthly seminars and workshops, social events, and other community outreach activities.

Harlem Pride was incorporated in New York State as a Not-For-Profit Corporation in 2010, and received its retroactive 501(c)(3) tax exempt status from the Internal Revenue Service in 2011. Harlem Pride is a Registered Charity in New York State. All donations are Tax Deductible. 

         

Wilhelmina Grant/SISTAAH Studio Presents
Greet the Griot! An Art Exhibition Featuring Robert Oba Cullins
Opening Reception: Saturday, February 2nd, 2013 - 2:00 PM - 7:00PM

                                 



Wilhelmina Grant/SISTAAH Studio
Invites you to a Black History Month art exhibition:
Greet the Griot!
Featuring Robert Oba Cullins:
World Traveler, Art Collector, Warri Master
Opening Reception:
Saturday, February 2nd, 2013
2:00PM -7:00PM



Exhibition On Display 2/2/13 - 2/28/13
 An O.Y.E. (Open Your Eyes) Exhibit of
SISTAAH Art Studio
401 West 149th Street
(between Convent and St. Nicholas Avenues)

SistaahStudio[at]gmail.com
(646) 590-2728
Subway: A, B, C, D train to 145th St. (closest)
or the #1 train to 145th Street
Bus: M3, M100, M101 to 148th Street
For Further Info Call: (646) 590-2728


Friday, December 7, 2012

The Outsider in Science Fiction:
African American and Latino Perspectives

A PANEL DISCUSSION
At The Museum of the Moving Image
Astoria, Queens (NYC) - Sunday, Dec. 9th, 2012

                                                         

Image by Credit: Gary K. Wolfe
 
Official Website: MovingImage.us



PANEL DISCUSSION
The Outsider in Science Fiction: African American and Latino Perspectives
Sunday, December 9, 2:00PM
 
Panel discussion with Walter Mosley, Sam Delany, Alex Rivera, Lawrence Oliver Cheery, and Lola Salvador
Part of the series Changing the Picture, sponsored by Time Warner
 
A group of prominent authors and filmmakers will discuss the theme of the outsider in science fiction literature and film, from African-American and Latino perspectives. This hour-long discussion will be moderated by filmmaker, producer, and curator Warrington Hudlin. The discussion was programmed by Dan Abella for the Philip K. Dick Science Fiction Film Festival, which takes place from December 7 through 9, 2012.

SPEAKERS

 
Walter Mosley is the author of more than 37 acclaimed books, including the major bestselling mystery series featuring Easy Rawlins. His work has been translated into 23 languages and includes literary fiction, science fiction, political monographs, and a young adult novel.





Samuel Delany is an author, professor, and literary critic best known for his science fiction novels, which include Babel-17, The Einstein Intersection, Nova, Dhalgren, and the Return to Nevèrÿon series.








Alex Rivera is a filmmaker best known for his feature film Sleep Dealer, which premiered at the Sundance Film Festival in 2008, where he was awarded the Alfred P. Sloan Feature Prize for best film with a science theme, and the Waldo Salt Screenwriting Award.
Lawrence Oliver Cheery is a writer and producer for Haylies Films, an independent company that produces science fiction, dramas, and documentaries.




Lola Salvador and Carlos Molinero wrote, produced, and directed the acclaimed experimental feature film The Mist in the Palm Trees, a journey through space and time using footage shot throughout the 20th century.

Free with museum admission.


Tuesday, November 27, 2012

Nutcracker Sunday Matinée!
Dance Theatre of Hatrlem
Sunday, December 9th, 2012 @ 5:00PM

                                                     

Sunday Matinees 2012-2013
Sunday, December 9th, 2012 @ 5PM
    Adults: $18.00 each
    Children and Seniors: $14.00 each



The second Sunday of each month we open up our studios to showcase our dancers and other artists in the community!

Since its inception, Dance Theatre of Harlem has welcomed neighbors near and far to high-quality performances by students from our school, the Dance Theatre of Harlem Ensemble and special guest artists.

Now called Sunday Matinées, the performances take place at 3:00 p.m. on the second Sunday of each month from November through April, and the first Sunday of May, and are followed by a Meet-the-Artist reception.

In years past special guests have included Councilman Robert Jackson, Daniel Beaty, Phyllis Stickney, the United Nations Children’s Choir; American Ballet Theatre Studio Company; Percussionist, Edwina Tyler, Sidra Bell Dance NY; Lotus Music and Dance; Tania Leon;  and Carmen deLavallade, to name a few.


  
 Dance Theatre of Harlem
Everett Center for the Performing Arts
466 West 152nd Street
Harlem, New York, 10031
212.690.2800
DanceTheatreofHarlem.org
                                                             

Monday, November 19, 2012

BLACK WALL STREET Theater Play
by Celeste Bedford Walker
Friday, Nov 30th & Saturday, Dec. 30th, 2012
At The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center (New York City)

                                             
Official Website: ShadesOfTruthTheatre.com


Shades of Truth Theatre
Presents
BLACK WALL STREET
by Celeste Bedford Walker
Directed by Aixa Kendrick



SYNOPSIS:
In 1921, in a small community in Tulsa, Oklahoma there was a Black paradise called Greenwood. This community consisted of Blacks, who fled the oppression of the South; to carve out for themselves their place in history. They formed a peculiar society of Blacks, Indians, and Jews, who respected and did business with each other. In time, some of the Blacks who happened to settle on oil rich land became incredibly wealthy. So wealthy, in fact, that the town was soon known as Black Wall Street. In a mere 36 block section of town, these African-Americans owned and operated up to 600 thriving businesses.


One of the most popular of these businesses was Old Lady Boleys’, an eating establishment which is where our play begins. One Sunday evening, the town’s more influential citizens gathered to have their pictures taken for the local newspaper; in honor of the community’s 20th anniversary. Before the play ends, the entire community of Greenwood is completely burned to the ground. In a 12 hour period, a major Black economic movement is halted.


PLACE:
The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center
3940 Broadway (@ 165th Street)
New York City
Ph: 212-568-1341
Train Travel: #1, "A" or "C" train to 168th Street

DATES:
Friday, November 30th, 2012 at 3PM and 7:30PM and
Saturday, December 1st, 2012 at 3PM and 7:30PM

INFORMATION:
General Admission is 25.00
Groups of 10 or more: Tickets - 20.00
Groups of 20 or more: Tickets - 15.00



About Shades of Truth Theatre Company...
 
We would like to extend a special "Thank You" to a valuable asset of Shades of Truth Theatre. You!!! The enthusiastic responses to "Whistle in Mississippi: The Lynching of Emmett Till", Zora Returns to Harlem, After Midnight! Kings Powerful Rebuke of the War in Vietnam and our longest running production The Meeting by Jeff Stetson compels us to persevere. Because of you, we have the passion to explore and develop relevant, provocative, and innovative new plays written by and about people of color and the Black experience.

Shades of Truth Theatre, Audelco Award Winner 2009, has been a welcoming presence in the theater community for the past 10 years because of its excellence in producing positive and affordable entertainment with high standards. At the core of Shades of Truth Theatre is our commitment to produce works that stimulate, agitate and activate. We are excited to bring to the stage as part of the 2013 season Celeste Bedford Walker’s new play "Black Wall Street" based on the Tulsa Race Riot of 1921.

Thank you so very much for your consideration in presenting one of our outstanding theatrical productions in your facility. Please review the details below on the shows that will be available for 2013. Booking fees are often modified based on circumstances…let's dialogue.


Monday, October 29, 2012

Art In FLUX Harlem presents
ECHOES: A Time to Keep & A Time to Let Go
Opening: Friday, November 9th, 2012 (6-9PM)
Harlem, New York City

                                                                              
Official Website: www.artinfluxharlem.com
    




ECHOES
Opens NOV. 9th, 2012 6-9pm

A dual-gallery exhibition in which artists reveal the importance of the spiritual power of Africa by retaining elements of the traditional world and yet creating a new contemporary vision. Through visual art, film, photography, dance, and spoken word, artists proclaim a cultural heritage while they explore, celebrate, play, question, challenge or protest diverse issues. The exhibition, spreading in two inter-connected spaces, illustrates the importance of past histories and conveys the vital significance of African traditions in the diaspora.


Opening Night Special Events

Spoken Word: Hisham Tawfiq, Ebbe Bassey, Tara Mhella, Gena Bardwell
Percussion Performance:  Mark Manczuk
Dance Interpretation:  Ntifafa Akoko Tete-Rosenthal
Instrumental music:  Hasan Bakr and Kevin Nathaniel Hylton
DJ Mix: Jeremiah Kpoh




EXHIBITING ARTISTS
Alberte Bernier, Beatrice Lebreton, Carlos DeMedeiros, Dougba Caranda-Martin, Gail Shaw-Clemons, Geraldine Gaines, Ibou Ndoye, J W Ford, Lance Johnson, Leonardo Benzant, Makeba Rainey, Nyugen Smith, Tara Mhella, Toni Thomas, and Trish Mayo. 


PRODUCTION TEAM
Beatrice Lebreton, Curator
Ibou Ndoye, Curator
Ebbe Bassey, Filmmaker
Belynda M'baye, Production Manager

This exhibit, reflective of the mission of Art In FLUX Harlem, was created through a collaborative effort among artists.  The idea of the exhibit was sparked by a curatorial proposal presented by Beatrice Lebreton, and Ibou Ndoye.  The two were introduced to filmmaker Ebbe Bassey whose film, Siri Oko Fo (Mending Fences), inspired the artworks presented in the “Time to Let Go” gallery.  Belynda M’baye came on board as the production manager for the opening night reception and coordinated dance, music and spoken word - all responses to the artworks and the film.



LOCATION:
Art In FLUX Harlem
1961 Adam Clayton Powell Jr. Blvd. (7th Ave) @ 118th Street
Harlem, New York City
GOOGLE MAPS


GALLERY HOURS:
Wed - Sat:  noon to 7pm
Sun:  noon to 5pm