Otta Benga, Formerly Enslaved
The Epitome of a Nubian Knight

Otta Benga, Formerly Enslaved<br>The Epitome of a Nubian Knight

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"Whenever I use BLACK it relates to some history of Africans in that particular place. It’s the idea of the color BLACK as a metaphor, or as a representation of African-Americans. It’s the notion of BLACK- BLACKNESS - and all its other meanings in relation to the history of race..."

- Fred Wilson

"Most of my fortitude to continue doing the work comes from the moral outrage I feel about the injustices that Black people endure disproportionately daily."

- N. Abdul-Wakil

"In the end, what matters is not skin shade but pan-African consciousness. Loving your complexion, your nose, lips, hair length and texture, no matter what the politics or trends decide, and simply be. That's the problem with us (African folks). We're still learning how to love ourselves. So used to glorifying others and putting others first..."

- Dredlocks Tree

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)
Click The Pic To Access The Film Library Database! (166 Films)
LAST UPDATE: Monday, December 3rd, 2012

Friday, July 30, 2010

The Legacy of El Hajj Malik El Shabazz Lives!
An Interview With His Grandson Malcolm Shabazz

The Legacy of El Hajj Malik El Shabazz lives!
An interview With His Grandson Malcolm Shabazz

July 22, 2010
by POCC Minister of Information JR

Feb. 21, 1965, the late great El Hajj Malik El Shabazz aka Malcolm X was assassinated in front of his family by agents of the U.S. government, in front of his daughters and his pregnant wife, and in front of the world with photos of his body all over the media the next day. This was a move by COINTELPRO to silence one of the strongest and most effective revolutionary voices of Black people in the U.S. to date.

After his spirit passed on, his writings and teachings really took root in the minds of a new generation even to the point of inspiring young Black people in Oakland to create an organization later known as the Black Panther Party. Forty-five years later, his first male heir and grandson, Malcolm Shabazz, has come to the Bay to speak and take in the politics of the Bay Area for the first time. This is an interview that we recorded a few weeks prior to him touching down. Here he is in his own words …

MOI JR: You are listening to another edition of POCC Block Report Radio with Minister of Information JR. Today my honored guest is Malcolm Shabazz, otherwise known as the grandson of the late great El-Hajj Malik El-Shabazz, otherwise known as Malcolm X. How are you, Malcolm?

Malcolm Shabazz: I’m good, thank you. I’m honored for this opportunity to speak with you.

MOI JR: Man, I’m honored to have you on here. Well, just to kick it off, man, because this is the first interview I’ve done with you and I haven’t seen too many other interviews done with you. Can you tell us what it is like to be the grandson of the late great Malcolm X aka El-Hajj Malik El-Shabazz?

Malcolm Shabazz: I feel just like everybody else, but at times it can seem to be a blessing and at other times it can seem to be a curse, depending on the situation. A lot of people love me and there are also those that hate me. Most of the people that hate me are because they don’t know me or they’re ignorant to certain issues or they listen to the media or certain articles that are written about me by people that don’t know me.

It can be a lot of pressure at times. Like growing up, I was placed in many situations where, say, one person, you can invite them to your house and they might throw up on the carpet. You say, oh they threw up and you help them to clean up the mess. But me, you know, I was under a magnifying glass or a spotlight. So say if I spit on the sidewalk, everyone would be like hey, what the hell is wrong with him?

It’s been a curse in certain situations, dealing with police, certain politicians and government officials. But it has also been a blessing being able to network with other revolutionary spirited individuals that are people that help to put me on to things and gain awareness.

MOI JR: Can you talk a little about your family life? Were you sheltered because of who your grandparents were?

Malcolm Shabazz: I was sheltered early on up until about the age of 9. I was raised in a family of all women. So at a certain point in my life, I started to rebel because there was no real male influence or father figure around. The closest thing I could see that represented strength to me were the cats you would see out on the corner. They were either drug dealers, gang bangers or whatever but those were the only males I could identify with that represented strength that I could immediately seek right there out in the community, so I kind of gravitated towards that. I went through a rebellious phase early on in my life, but prior to that I was somewhat sheltered.

MOI JR: How old are you now and where did you grow up?

Malcolm Shabazz: Right now I am 25 years old and I grew up all over the United States of America. I was born in Paris, France, and came to the states when I was about 3 years old. From there, I have lived in Philadelphia, California, different places in New York, Minnesota, Texas and many other different places. Right now I am in Miami, Florida. I have spent some time recently overseas studying.

MOI JR: When you were younger, you were accused of lighting the fire that killed your grandmother, Betty Shabazz. Can you talk a little about that incident, as well as the media portrayal of it?

Malcolm Shabazz: At a young age, I was about 12 years old and my mother was dealing with a case against the federal government for allegedly hiring a hit man to assassinate Nation of Islam leader Louis Farrakhan. During this time, it was a real tense climate and there was so many things going on with my family. I didn’t really understand everything at that age. I couldn’t be with my mother and I really wanted to be with her and I couldn’t understand why I couldn’t be with her.

So back in New York, not knowing where my mother was and being concerned and worried about her, I started to act out and do anything I could to be sent back to my mother, not understanding the ramifications of all my actions. I started to steal money, steal cars, run away from home and unfortunately one of the last things I did was set this fire.

The reason why I did these things was because I wanted my family here in New York to take the position, “He is out of control. We can’t control him so let’s send him back to his mother.” That was my logic. But when I got the idea to set this fire, I set it and didn’t have any intention to harm my grandmother. It was my intention to be mischievous to be sent away back to my mother but it wasn’t my intention for anyone to get hurt. My grandmother got hurt in the process and she ended up losing her life and it is something I deeply regret.

Me and my grandmother had a strong relationship. We probably had the strongest relationship than anybody else in my family. I loved her a lot and she loved me a lot. I was one of her favorites, you know.

The media portrayed it as it was something that I did purposefully or however they portrayed it. But that was not the case. That’s not what it is. I have even gave interviews in the past and after the interview they have stated that I expressed no remorse. Like I didn’t care, which is not true. This is my grandmother and I loved her deeply. To even have a grandmother pass away, of course, it hurts. But to have her pass away based on the actions that I took is even worse.

For a long period of time, I was just lost. I couldn’t speak to people. The media was coming at me from all of these different directions. All these people were trying to profile me and exploit me.

But basically with that situation, I set the fire to be mischievous to get sent back to my mother and didn’t intend on anyone getting hurt in the process. She ended up losing her life. I deeply regret that. Actually, it is the only regret I have in my life out of all the other mistakes that I have ever made.

MOI JR: Can you talk about your most recent case and what happened?

Malcolm Shabazz: Back in 2002, I was 17 years old and I was at a party in Middletown, New York. There was an individual who was a gang member and a drug dealer who tried to rape a 12-year-old girl. I defended the girl, resulting in an altercation taking place. This individual that I had the altercation with ended up in the hospital.

When I went to court, they didn’t let the girl testify, so it was almost like the rape incident didn’t take place. They didn’t let her testify because she was underage and her parents didn’t want her involved. So her testimony wasn’t admissible. The guy, despite the fact that he was a drug dealer or whatever, they just looked the other way.

I was in a town which was in Upstate, New York. It’s in an all-white area. When it came down to it, it was time for me to go to court. The thing was, was that I was facing all these charges. I was facing kidnapping, burglary, robbery and possession of a weapon. They listed me with all these charges, even though, like possession of a weapon, I had no weapon. You know, certain things they just listed it so they would have it.

So basically, when it came down to it, it’s time to go to court and I’m facing 56 years. My lawyer is asking me, “What do you want to do?” I asked him, “What are my chances of beating this case?” They say 50-50 based on certain things – 50-50 on 56 years? I was not really trying to take the risk.

So they also tell me, the jury could think that they were doing you a favor by letting you off on certain charges and sticking you with one or two. But by that you could still end up with 14 years. So they gave me a plea bargain of two and a half years. I took the two and a half years even though I wasn’t guilty of what they were asking me to admit to, which was a robbery. There was no robbery that ever took place. They asked me to admit to this in order to get this two and a half years. So I took that and they told me to return in 45 days to turn myself in.

Unfortunately, when the 45 days came, I didn’t run but I couldn’t bring myself to turn myself in either. So they ended up catching up with me and added on an extra year and a half. So I ended up with three and a half years. And after I was in the system, I had problems with the police and the racist COs (correctional officers) up north. Of my three and a half years, I ended up doing all of it. I came home on parole and the parole thing was not working for me. I couldn’t last too much in the streets on parole. They kept sending back, sending back. One time they sent me back for a year in the Athens State Correctional Facility for being a half an hour late from coming home from school.

MOI JR: Wow! Well, I think you hit on it a little bit, but can you hit it direct: How were you treated by the police specifically with you being the grandson of Malcolm?

Are you the sole male heir and, if you are or not, can you tell us how law enforcement treats you specifically in prison and on the streets?

Malcolm Shabazz: No, I am not the sole male heir, but I am the first male heir. I have a little cousin named Malik Shabazz. He is 20 years old right now.

When I was in prison, it was interesting because when you first go in, in New York City, like Rikers Island or any prison close to the city, the majority of the COs are going to be Black and Spanish. But then they also have the prisons that are way up in the mountains close to Canada, like Attica, Comstock, Great Meadow, where all the police are from the communities up there, so they are all white.

All white, 100 percent – people that have never been to the city before in their life. It’s about probably six to nine hours away from New York City. They’ve never seen so many Black and Spanish people except for where they work as prison guards in the jail. So the mentality that they have with us is that we are animals.

They wouldn’t keep me in a prison where there were all Black and Spanish COs because if they kept me in a prison like this they were more inclined to treat me like a human being. So what they would do was they would try to break me. When I first went into a correctional facility, I was 17 years old. They put me straight into a maximum security prison and gave me the highest security classification possible. I was classified with like drug kingpins, terrorists, things of this nature. I’m only 17 years old. So I was placed in prison with individuals that were never going home. They have life. They did this as an attempt to break me, but it only made me stronger.

Now when I went up there, one of the things I noticed up north was that you have red-neck racist pigs that have tattoos of Black babies hanging from trees. I couldn’t imagine it. How is it possible that they are allowed to work here? How is this allowed? How is this permitted?

If you are not a racist, you could go into that environment and definitely become a racist because it is a different energy. These pigs would line up and have their sticks out and they would threaten you and taunt you, waiting for you to do something. They would have this deep hatred in their eyes with the veins popping out of their neck. That was the type of environment I was in. So I ended up having a few altercations with the police.

Another thing I noticed was that they had this divide and conquer tactic where they had the inmates fight each other in order to keep control. It’s more of us than them but in order for them to keep control, they got to throw all of these things in the mix in order for us to fight each other.

So when I got there, certain things I noticed and I spoke on these issues and I got some of the inmates to come together and we developed a little more unity and strength in there. When we would walk up the hallway, there wasn’t no more mean mugs; it was Black Power fists.

MOI JR: That’s the business.

Malcolm Shabazz: I basically got set up by the police two times. Ended up having some physical altercations with them and they sent me to the box. They jumped me and sent me to the box. Tried to keep me in there indefinitely, extend my time. Most of my stay in prison, all of my problems, were with the police, never with any of the inmates.

MOI JR: How did the inmates treat you?

Malcolm Shabazz: The inmates treated me with a lot of respect. There are two times in my life where I really understood more of who my grandfather was and the legacy I represent.

One time was when I was 9 years old and I was in North Philly and I got robbed for some money. I was like 10 years old. One of the local kids had robbed me for some money I had. He didn’t know who I was. I told a Muslim sister about it and she made a phone call.

Thirty brothers came and asked me what happened. They were organized and I told them what happened. They went out and said they’ll be back. They went out and came back with more money than the kid took. The next day I saw the kid, who was about 16 or 17 years old. He apologized and said if there was anything I needed, he had my back. That was one time when I was like, hold on. I really didn’t understand because I was like 10 and really didn’t realize what all of this was about.

The second time was when I went to prison. I went to prison, and you would be surprised that people think everybody in prison is an animal, thug or gangsta. But some of the most intelligent people, some of the most intelligent brothas I met in my life were in prison. I don’t even regret the experience of being there. While I was there, it was rough, it was difficult. But after going through it, I’m glad that I met some of the brothas that I met who really put me on and had me reading certain books and they showed me a lot of love.

MOI JR: When were you unleashed and what have you been up too since?

Malcolm Shabazz: I was released Dec. 24, 2008. That’s when I maxed out and all my time was done. The leash was taken off of my neck and it’s interesting because even when I was on parole, every two months they would find an excuse to lock me up. I didn’t even have to commit a crime. Then they would write about it in the paper and make it seem like I was out there ripping and running reckless, which wasn’t the case. But since I have been off of parole, out of the system completely, I’ve been doing real good.

I got out Dec. 24, 2008, and from there I went to spend time with my aunt in New York, Ilyasah, and we went to Qatar, like three weeks later we went to Doha, Qatar, in the Middle East for a Muslim Leaders of Tomorrow conference. I networked, made a lot of good contacts. I came back for a little bit and then I decided to go overseas and study a little bit more. So I went to Damascus, Syria, and I studied there for about a year. I actually just came back from there on April 9. I had a good time. It was a wonderful experience. I was in Dubai, Lebanon, Jordan, Syria and Doha, Qatar .

Back in November and December, I was invited by a community based organization, Algerian and Moroccan, in Paris, France. They invited me there to speak. I was a guest of honor. I sat on the panel along with two other individuals to speak on various issues like social political issues, education, racial discrimination – things that they were dealing with. I also went to Amsterdam and shot a music video with a Muslim sister that I met in Doha, Qatar. I met her and she ended up writing a song about me. So I went out there and shot a video with her.

Now I’m back in the states working on my book that should be out maybe in 2011. That’s going real good and I’m just taking it easy. I’m giving speeches at mosques, schools, where I’m speaking to the youth and it’s wonderful. I feel blessed and I feel good. I feel like I’m on the right path and I’m moving forward in a positive direction.

MOI JR: Do you have the same political and spiritual beliefs as your grandfather?

Malcolm Shabazz: For the most part, yes. I’m a Muslim. I’m a practicing Muslim. That’s why I was in the Middle East. I was studying Islam. I do believe I have similar political views. Like some places where I go to speak, I don’t feel like my views are too radical or anything extreme at all. But sometimes they will say, “Oh yeah, we understand why you say this or that because of who your grandfather is. But what do you mean by that? You’re extreme.” It’s not extreme; it’s the truth. It’s unfortunate that today the way the mindset of the people is when they hear the truth they consider it radical or extreme.

MOI JR: What is your relationship, if any, with the Nation of Islam?

Malcolm Shabazz: My relationship with the Nation of Islam? To me they are not Muslim. I believe they are a deviant sect. Anybody that believes that the White man is the devil and the Black man is God, I can’t go for that. You just have to learn from history and the situations that happened with my grandfather; it’s all there.

I believe that there is a lot of sincere Brothas and Sistas in the Nation of Islam. But I don’t believe in their leadership at all.

MOI JR: Who do you believe killed your grandfather and why?

Malcolm Shabazz: I believe my grandfather was killed by the same people that killed Martin Luther King, the same people that killed Medgar Evers, the same people that assassinated Fred Hampton. These are all the same people: the United States government. They are behind the scenes and they pull the strings. But you are never going to see a government official with a suit and a badge walk up to you and pull the trigger. They are going to get somebody that looks like you to do their dirty work. So I believe they manipulated people, especially within the Nation of Islam, and they traded time for the assassination to take place.

MOI JR: How do you feel about the government releasing the self-confessed assassin of your grandfather a few months ago?

Malcolm Shabazz: Actually, a lot of people ask me that and I really have no ill will toward that individual, to be honest with you. He was a pawn and he did a lot of time. I believe in the hereafter. Everybody accounts for their actions one way or another in this life or the next life. So I don’t feel any ill will towards him. If I saw him today, I would want to sit down and want to ask him some questions but I wouldn’t feel like I’d have to do something towards him.

MOI JR: Man, you’re more graceful than I am about that issue.

Malcolm Shabazz: If anybody else were to do anything, I wouldn’t hold it against them. I could understand how they feel. But it’s just me personally, you know.

MOI JR: No doubt, no doubt. If people want to keep up with you and what you got going, man, how can they do that? Are you anywhere on line?

Malcolm Shabazz: I’m on Facebook (laughs). But I just got back to the states, so I got to get my little foundation together. There is the internet, but a lot of things on the internet are false.

MOI JR: No doubt.

Malcolm Shabazz: I will be speaking a lot more and my book is about to come out soon, Insha’Allah. And maybe I will have a website up soon, but I’m just getting back from the states. I’ve been back for a month so Insha’Allah, you can just keep your eyes open.

MOI JR: Well, what’s your book about?

Malcolm Shabazz: My book is, I wouldn’t say is an autobiography because I’m too young. I’m only 25 years old. But it’s like a memoir slash “coming of age” with social-political commentary. It’s basically different experiences I’ve been through directly from my mouth. I’m explaining what happened here, what happened there. What decision did I make and why I did I choose to make this decision and what could have been done differently. There are a lot of things people think they know that they don’t know. They read about it in the media, but the media is like, believe half of what you see, none of what you hear, if that.

I’ve read a lot of books. I’ve read a lot of articles people have written about me as if they know me, as if they were there. I’ve never met them. I’ve never sat down with them. They never interviewed me, anybody in my family or anybody that even knows me. So where does the information come from that they get to write about? So this book is very important for me because people everywhere I go, certain things I try to do, they always want to ask me the same questions. So now, by me putting this out there, it gives me the opportunity to clear everything. Clear the record. Set it straight. Expose some things and also move on into other areas.

MOI JR: Last but not least and the most insignificant of all the questions, man, have you ever met Nas? Nas had some lyrics where he directly talked about you.

Malcolm Shabazz: I have never met Nas but I know Nas is a 5 percenter. You know, I always liked his music until one of cousins, LeAsah, told me. She is from California, Crenshaw Long Beach area. One day she asked me, “Do you know what Nas said about you on his new track?” and I was like naw, send it to me. So she sent it to me. I was locked up at the time. She sent it to me and I was like, Wow, because I had a lot of respect and admiration for him. So I felt a little bad about that and at that time when I heard it, I wished I was a rapper . He doesn’t know me; he never met me. For him to say that, I would think he had more sense than that.

MOI JR: Exactly. That is why Chairman Fred ADDRESSED him on your behalf. But thank you, Malcolm Shabazz. If there is anything else you wish to say, go ahead.

Malcolm Shabazz: Thank you. It’s been a pleasure and an honor. I just want to shout out everybody in California, especially Oakland and the San Francisco Bay Area. When I was locked up, I was in the box 23½ hours lockdown and most of all my mail came from there. I had somebody from South Central send me a dollar and that meant more to me than anything else. Fred Hampton Jr. and Yuri Kochiyama.

MOI JR: Right on, man. Well, thank you for being on the Block Report. This is the first of many, you know what I’m saying, and you already know this is one of your media homes. You can call on us whenever you need to say something or whenever you want to push something, man.

Malcolm Shabazz: Thank you. I appreciate it.

MOI JR: All right, thank you, comrade.

Malcolm Shabazz: Black power, Black love!

MOI JR: That’s right. Free ‘em all!

Malcolm Shabazz: Free ‘em all!

POCC Minister of Information JR
spoke after Bobby Seale at the
Black Panther Party's 43rd reunion,
held at Laney College in Oakland October 24th, 2009.
Photo: Malaika Kambon

Tuesday, July 6, 2010

Aaron McGruder's Boondocks Parodies
Tyler Perry

McGruder Parodies Perry
by John-Martin Green

(A Guest Nubian Knight's Perspective)

Aaron McGruder has done it again. His parody of Tyler Perry on Boondocks has illuminated the pink elephant in the room. Perry, with our tacit consent, has become the most popular drag queen in America. In and of itself, that mightn't be so disorienting but for the irony in his steadfastly professing his heterosexuality and Christian devotion. (Not that heterosexual Christians can't cross-dress, but,) because we are so starved for stories about Black people attempting to love each other, we've given Perry a pass on issues like dark and light-skinned stereotyping, including demonizing dark-skinned brothers on the one hand, and feminizing them on the other.

As it happens, a major reason for the pass we've given Perry is that he panders to the stereotypes of our dreams - the stereotypes founded on the standards of beauty we have been acculturated and subconsciously subscribe to. Only last month, CNN reported the scientific re-enactment of the Doll Test, demonstrating that many of us are still training our children to see light skin and "good hair" as preferable attributes. I suppose it's hard not to, with the inexorable messages from the dominant society directing us to value their traits over our own.

Insofar as Perry's sexual bent is concerned, to the extent that he may be conflicted, (and there is no law that says that he is) he is entitled to that conflict. If, in fact, he is a repressed homosexual, he may well be a perfect example of the extent to which gay identity doesn't work for many (if not most) same-sex prone Black folk. When gay liberationists urge homosexuals of all stripes to 'come out' as gay, they fail to take into account the fact that, gay identity is founded on mom, apple pie and other distinctly eurocentric values and iconography. Lest we forget, those symbols are the same ones under which Blacks lived in American apartheid (Jim Crow) at the advent of the gay liberation movement. It would appear that, in the same way that it is hard for us not to value their physical traits over our own, it is also difficult for us not to value their identifications over our own.

If gay is liberating for all homosexuals, one wonders why, with the exception of say, Wanda Sykes, more wealthy, highly-placed Black homosexuals don't 'come out.' The question (undergirding the answer) is, 'Come out to what?' White homosexuals, the architects of gay identity, have built empires to support that identity - think Chelsea, Fire Island, Provincetown, Key West, West Hollywood, and San Francisco, to name a few - districts where they own and control land, properties, businesses, and the means of production. They even have a mafia now.

While Perry owns a budding media empire, he doesn't own it on a landscape where we have engineered anything like control. Control comes of staking out an identity, and then branding that identity until it becomes imprinted in the popular imagination, as has gay. Resisting adopting our own identification of our sexuality is folly.

The role of satire is to expose follies, vices and abuse. McGruder is a brilliant satirist.

John-Martin Green is co-founder and Executive Director of The Black Men’s Xchange-New York (BMX-NY), an empowerment organization of same gender loving (SGL) and bisexual African descended men which works to bridge gaps and build dialogue and community with the larger Black community. BMX-NY is a pro-Black organization built on a philosophy that embraces same gender loving experience as an intrinsic facet of everyday Black life. Integral to BMX-NY’s approach is the understanding that, in order to decrease internal and external homo-reactionary thinking, and demystify differences around diverse ways of living, loving and being, homosexual, bisexual and transgendered Black people must engage in supportive dialogue with each other and the community.

John-Martin is also Co-Founder and Co-Artistic Director of Blackberry Productions, Inc. Theatre Company (BP). Through BP John-Martin creates original theatre that reflects untold stories and history of African Americans, and uses the arts in schools and community-based-organizations to nurture the cultural health of our communities. An important facet of the cultural work John-Martin and his cohorts have undertaken lo the past twenty-five years lies in excavating the history and culture of Africans in the Diaspora, towards reconnecting us with ourselves. As we remember who we are, we are empowered to act as agents in our own struggle, our own progress.

As an educator, Mr. Green was a Co-founder and Co-Director over a decade, of Changing Scenes, an OBIE Award winning arts-based crisis intervention program for juvenile offenders. There he created a theatre workshop wherein participants explored their relationship to issues of human needs, power , control, self-concept, personal responsibility and societal expectations. At the Young Adult Learning Academy with BP, Mr. Green helped create interdisciplinary arts-based curricula that sparked creativity and receptivity to learning. Mr. Green has taught theatre at New School University, Brooklyn College, and SUNY campuses at Old Westbury and Nassau Community College.

He holds a BFA in Drama from Bard College and an MFA in Directing from Brooklyn College.

Monday, July 5, 2010

Harlem Pride (1st Annual) Pictures;
A Historic Moment In Time For The
Black Same Gender Loving Family And
The Larger African Diaspora

Harlem Pride's Official Website:

Harlem Pride was simply off da chain on Saturday, June 26th, 2010!!

I have been anticipating this event for a few weeks prior and I didn't quite know what the dynamics were going to be like between the Black same gender loving community coming together (for the first time to my knowledge) in a celebratory fashion right in the chocolate mecca of Harlem with the larger African Diaspora.

We, the Black SGL community, weren't gathering in the Village or in Chelsea, but at HOME in Harlem, and it's really been a long time coming, in my opinion.

Some folks felt when Black Pride NYC (some years ago) was moved from Fort Greene Park (that was drama and another story for another day), in a upwardly mobile neighborhood (on one side of the park at least) to Commodore Barry Park which was entrenched in da hood down by Navy Street north of downtown Brooklyn. I remember hearing Black SGL folks concerned about getting beat up after the sun went down because we were in the hood.

In my opinion I saw it was a blessing in disguise to be at Commodore Barry Park when that happened because for too long we've been INVISIBLE (my pet peeve with the SGL community) to the larger African Diaspora and frankly we need to "just be" and show up as we are so we can begin building community because Black SGL folks are mothers, fathers, uncles, aunts, sisters, brothers, daughters, nephews, nieces, cousins, etc...


And it's time we begun showing all our sides... NOW...

I had so much FUN at the celebration. It was quite ground breaking to be at a block party in da hood, in Harlem, celebrating and affirming the Black same gender loving experience...

All Photography


Welcome To Harlem Pride, Baby!!!!

Black SGL Owned Billie's Black [Restaurant]
Vendor Tent On The Right

Casa Frela (Owned By Lawrence Rodriguez),
The Harlem Pride Headquarters
Right On 119th Street In Harlem

The Windows Of Casa Frela/Harlem Pride...

Harlem Pride Headquarters

Harlem Pride, Inc.'s President Carmen Neely

Harlem Pride Board Members
Carmen Neely And Michael Hodge

Harlem Pride Board Members
Michael Hodge (left) And John Reddick (right)
[John Runs Harlem One Stop]

My Friend Zanthony Posin' For The Camera

An SGL Sistah Rappin' And Throwin' Down...

A Good Mix Of The African Family...

"Brother John" Representing BMX-NY
(Black Men's Xchange-New York)


BMX-NY is built on a philosophy that embraces same gender loving experience as an intrinsic facet of everyday Black life. Integral to BMX’s approach is the understanding that, in order to decrease internal and external homo-reactionary thinking and demystify differences around diverse ways of living, loving and being, same gender loving, bisexual and transgendered Black people must engage in supportive dialogue with each other and the community.

My Friends Chad [left] (The Real Re-Edit Blog) and Mark [right]

Harlem Pride's First Ever Event Was Quite Crowded
With An Excellent Turnout

Brutha Luscious (left)

Two Young Bruthaz
(One Who Was Picture Shy And Buried Himself! It's All Good! LOL!)

The Official Harlem Pride Tent

My Friend Delmar (left) Engaged In Conversation

Some Young Bloods Chillin' At Harlem Pride

Edgar And His Works Of Art On T-Shirts.
His Works Were Also Paying Tribute To His Friends
Chris Canton And Rod Jones (Who Have Transitioned)

As A Celebration Of Their Memory Through Art

Inside Harlem Pride's Headquarters
And Part Of The Harlem Pride Celebration

Was A General Art And Homo-Erotic Art Gallery Presentation...

Artist Anthony Gonzalez

Artist Anthony R. Phillips

A Bill T. Jones (Dancer/Choreographer) Tribute Art Piece

Really Nice Erotic Art...

Very Sensual

Artists Anthony R. Phillips And Anthony Gonzalez
Posing For The Camera

The Legendary SGL Promoter James Saunders
With Comedienne Tammy Peay

Vendors And Their Works Of Art...

So Freakin' Qool! LOL!

Public Relations Guru Richard Pelzer
Working With The
Glo TV Network
(A New Black Same Gender Loving Cable TV Channel
For Us, By Us Launching This Fall 2010)

Historian And Author Donald Pebbles
Professing African And Cultural Affirmation

Artist Charlie Dominguez And His Artwork

An R&B Performer

Ok Y'alll... Work It On Out!

Ah, The Pretty Bubbles

The DJ And The Bubble Machine Workin' Overtime

She Was Dazzling...

And Worked Her Show Well

A Young Group Puttin' On A Performance

A Little' Freaky Freak! LOL!

Young Bloods Shakin' What They Got!!

Brutha Man Did a Little Ol' Skool Solo Break Dancing

Happy Spectators

Crowd Watching The Performances

I Love It!
Very 1970s Mavis Staples Or Something Thereabout

Same Gender Loving R&B Music Artist Dy'Ari Performing...

I'm Lovin' Those Boots! LOL!!

Sexy Dy'Ari
Official Website: mydyari.com


I Had To Photograph This Brutha'z Outfit :-)

Bryan (right) With His Cute Friend (left)

My Friends Jimbe (left) And Damon (right) Embrace

Jimbe (middle) And Damon (right)

My Friend Chad (From BMX-NY) Having a Convo

All Photography