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Otta Benga, Formerly Enslaved
The Epitome of a Nubian Knight

Otta Benga, Formerly Enslaved<br>The Epitome of a Nubian Knight

Followers of Nubian Knights Network
"Thanks For The Support Everybody!!!"

QUOTATIONS OF "BLACK"

"Whenever I use BLACK it relates to some history of Africans in that particular place. It’s the idea of the color BLACK as a metaphor, or as a representation of African-Americans. It’s the notion of BLACK- BLACKNESS - and all its other meanings in relation to the history of race..."

- Fred Wilson



"Most of my fortitude to continue doing the work comes from the moral outrage I feel about the injustices that Black people endure disproportionately daily."

- N. Abdul-Wakil



"In the end, what matters is not skin shade but pan-African consciousness. Loving your complexion, your nose, lips, hair length and texture, no matter what the politics or trends decide, and simply be. That's the problem with us (African folks). We're still learning how to love ourselves. So used to glorifying others and putting others first..."

- Dredlocks Tree

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)

The REEL Black Same Gender Loving Filmography Resource (A 24/7 ONLINE FILM DATABASE)
Click The Pic To Access The Film Library Database! (166 Films)
LAST UPDATE: Monday, December 3rd, 2012

Sunday, March 7, 2010

NFL Player Myron Rolle Told He's Too Smart To Play In The League








NFL Player Myron Rolle Told He's Too Smart to Play in the League
By Dr. Boyce Watkins, PhD
Mar 7th 2010 6:56AM


College Player Myron Rolle


You would think that Myron Rolle, the NFL super-stud who also happens to be a Rhodes Scholar, would be the kind of man who makes us proud. You would expect that his status as being the man who represents the future of the black athlete in America would make the NFL happy to have him on the roster of one of their teams. Not only is Rolle brilliant, but he is also tough as nails and fast as lightning. The man has the whole package.

But at least according to some NFL coaches, Rolle may not be committed enough to be a part of their league.


Myron Rolle Conversin'


"We'll have to find out how committed he is," an NFC assistant coach said, repeating the sentiment of five other NFL officials who said the same thing.
When I founded ALARM, the Athlete Liberation Academic Reform Movement, my goal was to create athletes just like Myron Rolle. I was growing tired of seeing black men display brilliance on the field, only to be convinced to become dummies in the classroom. In my own experience as a black athlete, I found that academic excellence could be achieved with the same skill set I picked up as a football and basketball player - the same discipline, consistency, courage, focus and determination that wins championships can also create outstanding scholarship and empowered black leadership. I also found that brothers can find easier paths to financial and professional success than sweating all day and breaking their bones on the football field. I earned far more as a Finance Professor and businessman than the average college athlete earns in his professional career, and to be honest, I hated school until I figured out what education could actually do for me. Playing sports is cool and fun, but going through life without education always makes you an easy target to be pimped, controlled and ultimately robbed by those who care nothing about you.

Trainer Tom Shaw, who worked with Rolle over the past year, finds the criticism to be almost silly. Shaw has trained guys like Peyton Mannin and Deion Sanders, along with 118 former first-round draft picks and NFL MVPs. He argues that the critique against Rolle shows ignorance.


Myron Rolle Workin' Out On The Field


"I hear all the negative things that he has too many things going on in his life," Shaw said. "But if [the NFL] is saying that Myron Rolle is a bad example, that's a joke. ... Myron is what you want all these kids to be. Every one of these kids should want to be Myron Rolle. "The reason I say he's going to be a 10-year veteran is he's a guy who is going to out-work everybody. He's not just going to rest on his athletic ability."

"When coaches ask you what's important in your life, usually you can get away with saying God, then family, then football. But a lot of coaches out there want to hear football, then God, then family."

Rolle has just returned from Oxford University in England, where he studied for a master's degree in Medical Anthropology. He's now studying while training for football and hopes to one day become a neurosurgeon.

"The impression I get from people around the NFL – not necessarily in it, but around it – is that the NFL wants players for whom football is their No. 1 priority, their No. 2 priority and their No. 3 priority," Rolle said. "For me, I've never been someone with a singular talent. I have other abilities and interests and I think I would be doing a disservice to me, my team, my family, everyone who has invested stock in me if I was just so isolated in one thing. ... The thing I always try to present to people in the NFL as far as my commitment is that my academics and my concerns at Oxford or as an outside philanthropist can help my football abilities. It can help me be someone more disciplined on the field, help me be someone more balanced and knowledgeable. It can help the other guys if they want to get involved in the foundation or the community rather than going out and partying or getting in trouble somehow."


NFL Great (And Hard Hittin' Knock Ya Lights Out Player)
Ronnie Lott (left) And Myron Rolle (right)


During an interview with some NFL professionals, one of the coaches actually asked Rolle what it felt like to dessert his team this year in order to pursue his Rhodes Scholarship.

"I hadn't heard that one before," said Rolle. "My initial reaction was a bit of confusion. It never was anger, but I was more bothered by the question because if anyone knew my involvement with my teammates, how much they care about me and how much I care about them."

Here's the deal on Myron Rolle:

I spoke this weekend at a symposium on Barack Obama and Democracy, hosted by Dr. Peniel Joseph at Tufts University. One of the issues that came up is the impact that President Obama has had on the intellectual pursuits of African American males. I would argue that the effects of Myron Rolle and Stephen Stafford (the 13-year old who is now a junior at Morehouse College), were they sufficiently well-publicized, could be just as dramatic as that of Obama. This shift in perspective is dramatic in light of the historical abuse taken by NFL athletes, many of whom are disabled when their playing careers are over. One prominent Historian at the conference, Dr. Mathew Whitaker from Arizona State University, described the significant physical and psychological toll that a professional sports career can cause, and how so many black males are lured into sacrificing everything for a dream that hardly ever comes true.

I love the way the NFL coaches are dissing Rolle and I think there are a long list of lessons that can be learned by all athletes across America, especially black males. As a college professor who has watched this kind of thing happen for the past 20 years, I can tell you that this kind of behavior is also common at the college level, where millions of dollars are put in coaches' bank accounts in exchange for them getting players to put everything else to the side in order to win games. Academics is almost never a priority, and it is only allowed to become a priority after football issues are taken care of.

This leads to many black male athletes across America abandoning their interest in academic pursuits, all for the sake of their sports. Black men like Myron Rolle are not cheered for by coaches - they are typically despised. They are told that they are not committed enough, and by spending their time in a book rather than volunteering for the physical break down of college and professional sports, they are considered to be just as unruly and volatile as prison inmates. The truth is that by breaking out of the brain-washing process of their NFL and collegiate pimps, they have become something that society does not want them to be.

By becoming a neurosurgeon, Myron Rolle will make far more money than most of his NFL colleagues. Most NFL players have very short careers, and 10 years later, they've only got bad knees and aching bodies to show for their careers. What is most interesting is that it is actually easier to become a neurosurgeon than an NFL player. Those men who have gambled their entire future and livelihood on sports need to realize that there are easier and better ways to make a living.




Keep going Myrone Rolle - I am incredibly proud of you. You are everything the world needs you to be.


Dr. Boyce Watkins is the founder of the Your Black World Coalition. To have Dr. Boyce commentary delivered to your email, please click here.

Wednesday, March 3, 2010

A Past, Denied:
The Invisible History of Slavery in Canada,
A New Documentary Film



Official Website: apastdenied.ca


History is not the past, it is how we recount the past. A Past, Denied: The Invisible History of Slavery in Canada is a feature-length documentary by independent filmmaker Mike Barber. The film, which is currently in production, explores how a false sense of history—both taught in the classroom and repeated throughout our national historical narrative—impinges on the present. It examines how 200 years of institutional slavery during Canada’s formation has been kept out of Canadian classrooms, textbooks and social consciousness.

The Trans-Atlantic Slave Trade effectively started in 1444 when Portuguese pirates, operating under the auspices of Prince Henrique, kidnapped 235 Africans from a village near the mouth of the Senegal River and brought them back to Portugal where they were sold as slaves. From that point forward, over 15,000,000 Africans would be forcibly removed from their homeland and sold into slavery in Europe and the Americas; over 30,000,000 others would die in slave wars, work camps, or during transit aboard slave ships until the Trans-Atlantic Slave Trade ended in the 1860s.

Today in North America, the use of African slave labour is seen as a uniquely American institution. Canada is reputed as being the promised land to the North to where slaves could escape and live as free men and women. The Underground Railroad is our claim to fame, and we toot that horn proudly. Our history textbooks—and much less, our national historical narrative—rarely, if ever mention the two centuries of institutionalized slavery and its role in the founding of Canada.

The version of history taught in Canadian schools tends to serve the interests of nationalist pride rather than education. Figures such as René Bourassa, Colin McNabb, Joseph Papineau and Peter Russell have been made into historical icons, honoured in our texts and on our landscape. All were slave owners and some were rabid advocates of slavery, though today one would never know it. Among the multitude of authoritative biographies on such founding figures, these facts have a tendency to escape any mention, either because the authors chose not to include these facts or because they simply were not aware. Whether this act of censorship is intentional or not the error is compounded, the cycle of ignorance is perpetuated.
History Matters

The subtle underlying message this selective and filtered history conveys is one of white superiority. When students are taught that it is only white people who tend to do anything of historical importance it effectively instills them with a “white people belong on top, people of colour belong on the bottom” outlook on the world. Fed the same false sense of history, white students feel good about their heritage at the expense of non-white students who feel alienated to the point that they begin to tune out. According to figures from the Toronto District School Board, by age 16 more than half of black male teens are at risk of dropping out. In Montréal, the dropout rate among black youth is an estimated 48 per cent. The history curriculum is not solely responsible for these alarming statistics, but it is culpable.

There is a direct cause-and-effect relationship with our collective past and our collective present, as well as our collective future. To fully understand the context of current conflicts and events, we need to know the relevant past and its causal relationship. In his book Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong, historian and sociologist James Loewen explains “slavery’s twin legacies” to the present as “the social and economic inferiority it conferred upon blacks and the cultural racism it instilled in whites.” Both of which, he adds, “continue to haunt our society.” Removing this substantial part of our nation’s development from our historical narrative is not just an academic or moral problem. It has deprived and continues to deprive generations of the ability to identify “the dynamic interplay between slavery as a socioeconomic system and racism as an idea system.”

The film will show the connections between the practice of slavery in the past with racial disparity, tensions, and racism in the present. It will illustrate why telling history in a neutral, accurate and more complete manner is vital to understanding the causal relationship between past, present and future. The overarching point being more than just “history matters,” but rather honest history matters.

Tuesday, March 2, 2010

Despite the Country's Progressive Laws,
Homosexuals Are Still Under Attack
In South Africa (CNN Report)

Microsoft Leaps From "Surface Computing"
To "Mobile Surface"

Microsoft's impressive Surface Computing (SEE HERE) technology now takes a leap to Mobile Surface.

In the video the gentleman's English is not great (the one explaining and demonstrating the experiment, plus there's high chatter talking in the background which makes understanding him harder), but the demonstration is worth viewing if you're a technology interest person like me.

The 3 parts of this 3D gesture experience that make it work are a mobile device (phone), a projector and a camera (motion) sensor.

And I had previously reported on the Gesture Cube (SEE HERE) which is mad crazy qool!



Racism and Xenophobia in Portugal,
"Respect The Immigrant " Commercial
...And THEN Racist House Parties By White U.S. Students!!

This commercial (first video) was FAR TOO POWERFUL for me not to post and share it with the FAM. WOW!!





Monday, March 1, 2010

Press Release: Alex Smith, THPAC Executive Chair, Discusses African Dance Influence on
Brooklyn Dance Community




FOR IMMEDIATE RELEASE


February 23, 2010


ALEX SMITH,
THELMA HILL PERFORMING ARTS CENTER EXECUTIVE CHAIR,
DISCUSSES AFRICAN DANCE INFLUENCE ON
BROOKLYN DANCE COMMUNITY

Smith and Panel of Dance Experts Convene
In Heart of BAM Cultural District

Alex Smith, Executive Chair of Thelma Hill Performing Arts Center (THPAC), will share his expertise as a panelist of leading members of Brooklyn’s dance community, including legendary African Dance master and founder of Dance Africa, Chuck Davis, for the “African Dance/Brooklyn Style” symposium, presented by the Brooklyn Arts Council. The panel will discuss the influence of African dance styles on Brooklyn dancers and choreographers and give brief demonstrations of African dance techniques as they are remade in Brooklyn. The event takes place in the heart of the Brooklyn Academy of Music (BAM) Cultural District on Wednesday, March 3, 2010, 7:00-10:00 p.m. at A.R.T/New York South Oxford Space, 138 South Oxford Street, in the Fort Greene section of Brooklyn, New York.

“I feel great that THPAC is being recognized by inclusion on this panel, says Smith. “THPAC has been influential on the dance scene here in Brooklyn where it was founded, as well as on a citywide and national level,” Smith adds. “Like Brooklyn, THPAC has been a major hub and incubator for cultural creativity for people of color, and participating on this panel marks a turning point for us as we continue to further heighten the organization’s profile and brand.”

As the only non-dancer on the panel, Smith will bring the perspective of the influence of arts organizations to the discussion.

About Alex Smith
Alex Smith was appointed Executive Director by the THPAC board in 1995 and later Executive Chairman. Under his tutelage and passionate commitment over 150 artists have been presented in performance including Ron Brown, Valerie Winborne, George Faison, Louis Johnson, Marlies Yearby, and Fred Benjamin, seven new programming formats have been added, and THPAC’s annual Life Time Achievement Awards, whose recipients include Louis Johnson, George Faison, Ella Thompson Moore, Dianne McIntrye, Fred Benjamin, and Kathy Grant and Dudley Williams, were established. During the coming summer 2010 season Smith will present, A Ramp to Paradise, a commissioned choreographed work by Kyle Abraham designed to pay homage to New York City’s ultimate dance experience, the legendary underground dance club Paradise Garage.


Asase Yaa Dance Company
Copyright © Bob Gore


About Thelma Hill Performing Arts Center
THPAC, www.thelmahill.com, an independent non-profit organization, was formed in 1976 to forge and temper creative talent. Over 34 years the organization has attracted both emerging and established artists of color who developed a perpetual evolutionary cycle in which more than 300 alumni have gone on to successful careers as dancers and choreographers in the U.S. and abroad. The mission of THPAC is to build bridges of understanding through the presentation and celebration of choreographic works by artists of color. From fostering grassroots involvement at home to expanding awareness of the arts abroad, THPAC facilitates artistic collaborations, such as performances, workshops, seminars and community projects. Through these efforts, new channels of creative dialogue inspire free-flowing dynamic cultural expressions.


Asase Yaa Dance Company
Copyright © Bob Gore


For more information regarding Alex Smith and THPAC contact:

Jelani Bandele
RedMEDIA 347-471-1733
Redmediac[at]gmail.com

BLOOM: The Spring Dance Party
A Pan-Sexual Celebration of
African & Latin American Diasporas
Sunday, March 28th, 2010 @ Arena (NYC)








BLOOM
THE SPRING DANCE PARTY


ARENA
135 West 41st Street
(between 6th Avenue & Broadway)


SUNDAY, MARCH 28th, 2010
6PM - 12 MIDNIGHT

Tickets From $10.00
TICKETS HERE


Music By:
Funmi Ononiaiye & DJ Africa
Spinning Soul, House, Tribal, Afrobeat, Dancehall & Hip-Hop

Featuring
THE BEAUITFUL ONES
Male & Female Burleque Dancers
Body Paint Artists, FIne Artisits, Video Stimulation And More!


Details:

BLOOM-The Spring Party, is a Sunday evening dance event that features live DJs spinning house, soul, Afro-beat, tribal, disco and hip-hop at Club Arena. The party is a pan-sexual celebration of cultural expressions from the African and Latin American Diasporas, with presentations of visual fine art, video installations and performance art that will celebrate sensuality and eroticism.






UPDATE (Tuesday, March 30th, 2010)

YO!! Black Family....!!

The BLOOM Spring Dance Party (that happened Sunday evening, March 28th, 2010) in my opinion was off da FUCKING CHAIN!!!! U hear me!! LOL!

Olubude, the brutha who is the host/promoter of these BLOOM party events has been doing it to my knowledge (since I've been going to them) for the last 2 years at different venues.

He always finds a way to infuse some Africentricity to his parties for Black same gender loving bruthaz and their ALLIES which always has a good mix of African, Afro-Caribbean and African -American bruthaz (and sistahs, though mostly bruthaz and anyone of the African Diaspora is welcomed).

However, this BLOOM Spring Party of 2010 was his BIGGEST one to date and really something different that I clamored for and appreciated to no end. Besides having the really beautiful space at Club Arena located in the heart of 42nd Street Times Square with nice house music and go-go boys and go-go girls, what made it truly unique compared to other parties is a theme and infusion of African culture with facial paint on the exotic dancers as well as some of the patrons who, by the way, danced up a storm with some magnificent solo performances (truly ROOTS, ROOTS, ROOTS), plus we had bruthaz onstage who entertained us with African drumming and percussion instruments all-night long in conjunction with the house music. And further... the DJ would cleverly lower the music to a stop every so often and let the drummers have their solos in creating Afrocentric beats that fed our feet, our hearts and our souls as we moved to the beats!!!!! OFF DA CHAIN!!

HOUSE PARTIES are my favorite types of parties to mix & mingle and meet some nice same gender loving bruthaz, but I have to admit this BLOOM The Spring Dance Party 2010 was one of the best club parties I've ever been to - and I'm NOT a club and bar person for my friends who know me well.

Anyway, enough talk and just feast your eyes on the pics I have to share below. Next time I'll bring my good camera! LOL!

THANKS OLUBUDE FOR PROVIDING A BEAUTIFUL SPACE TO PARTY AND THE INFUSION OF OUR AFRICAN CULTURE AS WE PARTIED! BLOOM The Summer Party 2010 anyone???!!!!!